The decades spanning story of two very different policemen who rise to power in Hong Kong during British rule, and end up at odds with both organised crime groups and the anti-corruption unit vowing to bring them down.
Aaron Kwok
Lui Lok
Tony Leung
Nam Kong
Du Juan
Tsai Zhen
Patrick Tam
Yim Hung
Tse Kwan-Ho
Limpy Ho
Michael Chow Man-Kin
Fat-Bee
Chui Tien-You
Young Lui Lok
Lam Yiu-Sing
Young Nam Kong
Michael Ning
Young Fat-Bee
Ron Ng Cheuk-Hai
Kot Sui-Hung
Louis Cheung
Stephen Ho
Sai-Wing
Jessie Li
Xiao Yue
Elaine Jin Yan-Ling
Lui Hang-Wah
Maggie Cheung Ho-Yee
Limpy Ho's Wife
Zeng Yixuan
Xiao Yan
Michael Hui Koon-Man
George Lee
Jeana Ho Pui-Yu
Cora
Tai Bo
Nian
Eddie Chen
Nam Kong's Father
Belinda Yan
Richard Ng Yiu-Hon
Tsai Lin
Lau Shun
Deon Cheung Chung-Chi
Crazy Chuck
Dennis Chan Kwok-San
Vincent Wan Yeung-Ming
Mark Cheung Lui
Shigeo Kobayashi
Tokai-san
Amen Au Cheuk-Man
Ben Yuen Foo-Wah
Rose Chan Ka-Wun
Paul Che Biu-Law
Pinky Cheung Man-Chi
Tsang Wai-Ming
Kingman Cho
Paco Wong Hing-Nam
Liao Dacheng
Ou Yangming
Zhao Ben
Xia Yingchun
Peng Cheng
Leung Kwan-Leun
Huo Baiqiang
Chen Yaoxiang
Simon Watkiss
Michael Anthony Aickin
David Wayne Fish
Nicholas Fenton Langsford
Howard Paley
Kevin Tracey Clyne
Graeme John Still
Mo Zong Long
prisoner
Director, Writer
Philip Yung
Co-Writer
Oliver Yip
Co-Writer
Lam Wai-Tung
Screenplay
Effy Sun
October 8, 2023
6
The premiss of this cop drama is quite promising. It depicts a scenario in which the dedication of the few honest officers amongst Hong Kong's colonial police have to combat both their own crooked comrades as well as the increasingly powerful Triad gangs that are gradually overrunning the place - to the extent that the British might have to send in their troops to restore law and order. What also complicates the story is that both "Nam Kong" (Tony Leung) and "Lui Lok" (Aaron Kwok) are aspirational policemen who are prepared to use whatever it takes to get on - and that, coupled with the equally ambitious attitudes of their wives, means that they are just as corrupt and devious as those they are purporting to be trying to control. The thing with this drama is it's pace. It takes far, far, too long to get going with way too little action or intrigue until well into the second hour, by which time I was starting to wriggle in my seat. There's an inevitability about the whole story thereafter and Philip Yung just doesn't manage to create characters about whom I could care less. The whole honour code/triad criminality plot is largely neglected in favour of an half-hearted, semi-westernised, crime thriller that really is distinctly lacking in thrills and that is just too long. It meandered and rambled too much for me with much to much dialogue and nowhere near enough focus on what could have been a really good hybrid-culture, political, adventure. It's OK, watchable, but really nothing more.
Status:
Released
Original Language:
Cantonese
Budget:
$38,000,000.00
Revenue:
$0.00