An international assassin known as ‘The Jackal’ is employed by disgruntled French generals to kill President Charles de Gaulle, with a dedicated gendarme on the assassin’s trail.
Edward Fox
The Jackal
Terence Alexander
Lloyd
Michel Auclair
Colonel Rolland
Alan Badel
the Minister
Tony Britton
Inspector Thomas
Denis Carey
Casson
Cyril Cusack
Gunsmith
Maurice Denham
General Colbert
Michael Lonsdale
Deputy Commissioner Claude Lebel
Vernon Dobtcheff
Interrogator
Jacques François
Pascal
Olga Georges-Picot
Denise
Raymond Gérôme
Flavigny
Barrie Ingham
St. Clair
Delphine Seyrig
Colette de Montpellier
Derek Jacobi
Inspector Caron
Jean Martin
Victor Wolenski
Ronald Pickup
The Forger
Eric Porter
Colonel Rodin
Anton Rodgers
Jules Bernard
Adrien Cayla-Legrand
Charles de Gaulle
Donald Sinden
Mallinson
Jean Sorel
Jean Bastien-Thiry
David Swift
Montclair
Timothy West
Commissioner Berthier
Bernard Archard
Detective Hughes
Jacques Alric
French Detective
Colette Bergé
Lebel's Wife
Edmond Bernard
Colonel Rolland's Assistant
Gérard Buhr
Gendarme on Telephone
Philippe Léotard
Gendarme
Maurice Teynac
Bastien-Thiery's Lawyer
Van Doude
Military Officer
Nicolas Vogel
OAS Agent
Féodor Atkine
Young OAS Gunfighter
Albert Augier
Policeman in Hotel
Madeleine Barbulée
Hotel Guest
Jacques Brunet
OAS Terrorist in Car
Raoul Curet
Hotel Waiter
Madeleine Damien
Ernestine
Yvonne Dany
Turkish Bath Desk Clerk
Nicole Desailly
Yvonne De Gaulle
Max Faulkner
Special Branch Detective
Robert Favart
Minister
Andréa Ferréol
Hotel Staff
Gilberte Géniat
Paris Apartment Concierge
Edward Hardwicke
Charles Harold Calthrop
Jacques Hilling
Hotel Desk Clerk
David Kernan
Per Lundquist
Robert Le Béal
Secretary at Elysée Palace
Roger Lumont
Passport Control Officer
Mike Marshall
Gendarme at Tulle
Max Melloy
Parliamentary Usher
Jean Michaud
Cabinet Member
Bernard Musson
Usher at Elysée Palace
André Penvern
Policeman at Tulle Station
Pierre Risch
Michel, Colette's Gardener
Liliane Rovère
Hotel Chambermaid
Bernard Spiegel
Groom
Jacqueline Stanbury
Hair Dye Clerk
Guy Standeven
Police Constable
Michel Subor
OAS Terrorist in Car
François Valorbe
Valmy, OAS Contract
Howard Vernon
Cabinet Member
Nicholas Young
Passport Officer
Director
Fred Zinnemann
Novel
Frederick Forsyth
Screenplay
Kenneth Ross
Script Editor
John Rosenberg
February 12, 2014
9
Chacal.
The Day of the Jackal is directed by Fred Zinnerman and adapted to screenplay by Kenneth Ross from the novel of the same name written by Frederick Forsyth. It stars Edward Fox, Michael Lonsdale, Terence Alexander, Michel Auclair, Alan Badel, Tony Britton and Denis Carey. Music is by Georges Delerue and cinematography by Jean Tournier.
As the French political climate reaches boiling point over the Algeria situation, underground organisation the OAS plot to have President Charles de Gaulle assassinated. When an attempt fails the OAS members not caught are exiled in Vienna and decide that bringing in an outsider to kill the President is now the best way forward. That outsider is an Englishman, code name The Jackal, a methodically cunning and deadly assassin.
Wonderful, the kind of character driven thriller that has become in short supply over the last couple of decades. It’s all so simple, even sedate, yet this calm approach serves the plotting perfectly. After the initial set ups we follow The Jackal (a super icy turn by Fox) on his mission to kill General de Gaul. His planning, the people he meets, and the people he has to kill to stay one step ahead of the authorities. From cons to weapon smuggling, to disguises and sexual encounters, it’s thoroughly compelling from Jackal’s story arc alone, but the frequent shifts to the hunt for him by a whole ream of suits and detectives is also gripping and suspenseful viewing.
Backing Fox up is a raft quality performers, a cast very much in tune with the material to hand. Delure’s musical composition is purposely of the minimalist breed, Tournier’s photography is period compliant and smooth, while Ralph Kemplen’s excellent editing was rightly nominated for an Academy Award. Zinnerman does sterling work from the director’s chair, amazingly keeping a two and half hour movie free of extraneous scenes or pointless exposition. Everything is relative, it really is a film to stay focussed with, to give it respect by giving it your undivided attention. So go the bathroom before sitting down to view this truly great and smart thriller. 9/10
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$16,056,255.00