Film Snail

Vertigo
Vertigo

8.2

Vertigo

PG·1958·128m

Summary

A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.

Crew

Director

Alfred Hitchcock

Novel

Pierre Boileau

Novel

Thomas Narcejac

Screenplay

Alec Coppel

Screenplay

Samuel A. Taylor

Reviews

E

Eky

June 16, 2012

All I know, this film wasn’t so successful at first and this probably because the audience didn’t expect a film so dark and claustrophobic. Vertigo was so strange already from the beginning because of its surreal and nightmarish atmosphere. I bow to Hitchcock in his creativity in visualizing Jimmy Stewart’s acrophobia by implementing one of the oldest cinematography techniques, using zoom lens as it zooms in while the object moves away, emphasizing his terrified feeling and insecurity whenever he’s at a particular height due to a chronic vertigo he suffers. As always, the film director’s cameo appearance has always been fascinating since we know it’s his habit therefore we will usually let our eyes wander throughout the film, trying to spot him. In conclusion, this timeless thriller remains a classic gem despite the emergence of new modern films. The great visual effects also seem timeless when compared to digital effects. I hope my review doesn’t give you vertigo = )

Media

Status:

Released

Original Language:

English

Budget:

$2,479,000.00

Revenue:

$7,808,900.00

Keywords

plan
love of one's life
sense of guilt
san francisco, california
suicide attempt
obsession
bachelor
detective
necklace
vertigo
museum
painting
insurance fraud
film noir
golden gate bridge
psychological thriller
rescue from drowning
neo-noir
fear of heights
color film noir
awestruck