A rich woman and a calculating insurance agent plot to kill her unsuspecting husband after he signs a double indemnity policy.
Fred MacMurray
Walter Neff
Barbara Stanwyck
Phyllis Dietrichson
Edward G. Robinson
Barton Keyes
Porter Hall
Mr. Jackson
Jean Heather
Lola Dietrichson
Tom Powers
Mr. Dietrichson
Byron Barr
Nino Zachetti
Richard Gaines
Edward S. Norton Jr.
Fortunio Bonanova
Sam Garlopis
John Philliber
Joe Pete
John Berry
Bit Part (uncredited)
Raymond Chandler
Man Reading Book (uncredited)
Edmund Cobb
Train Conductor (uncredited)
Kernan Cripps
Conductor (uncredited)
Bess Flowers
Norton's Secretary (uncredited)
Eddie Hall
Man in Drug Store (uncredited)
Teala Loring
Pacific All-Risk Telephone Operator (uncredited)
Sam McDaniel
Charlie the Garage Attendant (uncredited)
Billy Mitchell
Pullman Porter (uncredited)
Clarence Muse
Man (uncredited)
Douglas Spencer
Lou Schwartz (uncredited)
Harold Garrison
Redcap (uncredited)
James Adamson
Pullman Porter (uncredited)
Betty Farrington
Dietrichsons' Maid Nettie (uncredited)
George Magrill
Man (uncredited)
Constance Purdy
Shopper in Market (uncredited)
Dick Rush
Pullman Conductor (uncredited)
Floyd Shackelford
Pullman Porter (uncredited)
Oscar Smith
Pullman Porter (uncredited)
Miriam Nelson
Keyes' Secretary (uncredited)
Mona Freeman
Secretary (uncredited)
Florence Wix
Train Passenger at Station (uncredited)
Director, Screenplay
Billy Wilder
Novel
James M. Cain
Screenplay
Raymond Chandler
September 22, 2016
10
It's definitely hard to pin down a personal favourite Wilder film, though I tend towards his earlier masterworks such as 'The Lost Weekend', 'Sunset Boulevard'...and THIS. He was one of the finest at getting straight through the bullshit and to the heart of all things noir (as the immortal Jean-Luc Godard stated, 'All I need to make a film is a man, a girl and a gun').
Barbara Stanwyck is one of my favourite actresses of the period, and is a classic 'femme fatale'. I've never been a huge fan of Fred MacMurray, but his 'nice guy' persona is used to sheer advantage by Wilder, and he end up both doing his finest work for Wilder (here and in 'The Apartment') and being the ultimate noir male protagonist. Interestingly, one of my favourite actors, Edward G. Robinson, thought so much of the script that he opted out of his demand of never doing a supporting role. Many people admire Wilder the director, but as a writer (or co-writer) he's just as cinematically important and influential.
Like any other film of his, at least that I've had the pleasure to see, it's worth a purchase and re-watches. The dialogue, especially, is simply fantastic. I'd take just one of his early works over a hundred of the films Hollywood churns out nowadays. They're simply that better and intrinsically satisfying. Immortal cinema.
Status:
Released
Original Language:
English
Budget:
$927,262.00
Revenue:
$2,500,000.00