After accidentally killing her lecherous producer, a famous actress tries to hide her guilt.
Rosalind Russell
Valerie Stanton
Leo Genn
Michael Morrell
Claire Trevor
Marian Webster
Sydney Greenstreet
Capt. Danbury
Leon Ames
Gordon Dunning
Frank McHugh
Ernie Boyle
Walter Kingsford
Peter Gunther
Dan Tobin
Jeff Trent
Lex Barker
Paul Banton
Nydia Westman
Susan Crane
Theresa Harris
Nancy
Russell Hicks
Actor 'Judge Brack'
Irving Bacon
Herbie
Esther Howard
Pansy Dupont
Harry Hayden
Mr. Couch
Bill Erwin
Howard Forman (as William L. Erwin)
Martha Hyer
Helen Adams
Michael St. Angel
Jimmy Ross (as Steven Flagg)
Louis Mason
Terry
James Flavin
Sgt. Oliphant
Charles McAvoy
Mr. Soper
Dan Foster
Eddie Brown
James Todd
George Tesman
Joyce Arling
Mrs. Elvsted
Ida Shoemaker
Juliana Tesman (as Ida Schumaker)
Phillip Barnes
Ejlert Lovborg
Bess Wade
Bertha
Bess Flowers
Party Guest (uncredited)
Robert Riordan
Mr. Putnam
Hazel Dohlman
Theatre Patron (uncredited)
Director
Jack Gage
Adaptation
Walter Reilly
Original Story
Annabel Ross
Original Story
William Mercer
Writer
Leo Rosten
February 7, 2016
7
Where did you get your luck, Valerie? Or does God pity the wicked?
The Velvet Touch is directed by Jack Gage and collectively written by Leo Rosten, Walter Reilly, William Mercer and Annabel Ross. It stars Rosalind Russell, Leo Genn, Claire Trevor, Sydney Greenstreet and Leon Ames. Music is by Leigh Harline and cinematography by Joseph Walker.
Ah, now then, is this a murder mystery in reverse? At the beginning we are shown the crime of murder, so we know the main character is guilty. The rest of the picture thrives on if Valerie Stanton (Russell) will either get caught by the law, own up, or become a victim of crime herself? The screenplay contains a flashback and that grand old devil of someone else being pegged for the murder. There's witticisms abound, with some wonderfully choice lines delivered with relish, while the cast turn in decent shows - Greenstreet doesn't show up till the 45 minute mark, but promptly waddles in and steals the film!
Set to the background of the theatre it's unsurprising to find this is something of a theatrical drama rather than a film noir of the era. It has found its way into a couple of film noir reference books, without really being film noir as such. Certainly the photography is appealing to noir fans, and there's a dark passage of play that definitely comes out of noirville, but really it's a marginal entry. But hey! It's still a very good film that's recommended. 7/10
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00