Film Snail

Joker
Joker

8.1

Joker

R·2019·122m

Summary

During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.

Cast

Joaquin Phoenix

Joaquin Phoenix

Arthur Fleck

Robert De Niro

Robert De Niro

Murray Franklin

Zazie Beetz

Zazie Beetz

Sophie Dumond

Frances Conroy

Frances Conroy

Penny Fleck

Brett Cullen

Brett Cullen

Thomas Wayne

Shea Whigham

Shea Whigham

Detective Burke

Bill Camp

Bill Camp

Detective Garrity

Glenn Fleshler

Glenn Fleshler

Randall

Leigh Gill

Leigh Gill

Gary

Josh Pais

Josh Pais

Hoyt Vaughn

Rocco Luna

GiGi Dumond

Marc Maron

Marc Maron

Gene Ufland

Sondra James

Sondra James

Dr. Sally

Murphy Guyer

Murphy Guyer

Barry O'Donnell

Douglas Hodge

Douglas Hodge

Alfred Pennyworth

Dante Pereira-Olson

Dante Pereira-Olson

Bruce Wayne

Carrie Louise Putrello

Carrie Louise Putrello

Martha Wayne

Sharon Washington

Sharon Washington

Social Worker

Hannah Gross

Hannah Gross

Young Penny

Frank Wood

Frank Wood

Dr. Stoner

Brian Tyree Henry

Brian Tyree Henry

Carl (Arkham Clerk)

April Grace

April Grace

Arkham Psychiatrist

Mick Szal

Mick Szal

Woman on Subway

Carl Lundstedt

Carl Lundstedt

Wall Street Three

Michael Benz

Michael Benz

Wall Street Three

Ben Warheit

Ben Warheit

Wall Street Three

Gary Gulman

Gary Gulman

Comedian

Sam Morril

Sam Morril

Open Mic Comic

Chris Redd

Chris Redd

Comedy Club Emcee

Mandela Bellamy

Mandela Bellamy

Mother on Bus

Demetrius Dotson II

Demetrius Dotson II

Boy on Bus

Greer Barnes

Greer Barnes

Haha's Clown

Ray Iannicelli

Ray Iannicelli

Haha's Clown

Bryan Callen

Bryan Callen

Haha's Stripper

Peter Hans Benson

Peter Hans Benson

Good Morning Host

Vito Gerbino

Vito Gerbino

Street Kid

Adam Quezada

Adam Quezada

Street Kid

Xavyer Ureña

Xavyer Ureña

Street Kid

Evan Rosado

Evan Rosado

Street Kid

Damian Emmanuel

Damian Emmanuel

Street Kid

Mike Troll

Mike Troll

Clown Protestor

Jane Fergus

Jane Fergus

IBN Anchorwoman

David Gibson

David Gibson

WBC News Anchor

Tony D. Head

Tony D. Head

WGC Anchorman

Jeff McCarthy

Jeff McCarthy

NCB Anchor

Kim Brockington

Kim Brockington

NCB Co-Anchor

Troy Roberts

Troy Roberts

NCB News Reporter

Lou Young

Lou Young

ANC News Reporter

Michael-Scott Druckenmiller

Michael-Scott Druckenmiller

Paramedic

Craig Austin

Craig Austin

Paramedic

John Cenatiempo

John Cenatiempo

Aftermath Police Officer

Danny Schoch

Danny Schoch

Aftermath Police Officers

Keith Buterbaugh

Keith Buterbaugh

Band Leader

James Ciccone

James Ciccone

Murray Franklin Band

Rich Campbell

Rich Campbell

Murray Franklin Band

Roger Squitero

Roger Squitero

Murray Franklin Band

Steven Elson

Murray Franklin Band

Graham Mabry

Murray Franklin Band

John Alldred

Murray Franklin Band

Alonzo Wright

Alonzo Wright

Murray Franklin Band

Jack Wilkins

Murray Franklin Band

Richard Baratta

Murray Franklin Band

Mary Kate Malat

Mary Kate Malat

Murray Franklin Intern

Adrienne Acevedo Lovette

Adrienne Acevedo Lovette

Middle Aged Woman (uncredited)

Justin Theroux

Justin Theroux

Ethan Chase (uncredited)

Alissa Bourne

Alissa Bourne

Anna (uncredited)

Jamaal Burcher

Jamaal Burcher

Hospital Visitor / Mfs Audience (uncredited)

John Cashin

John Cashin

Arkham Patient (uncredited)

Jason John Cicalese

Protester / Rioter (uncredited)

Brendan Patrick Connor

Brendan Patrick Connor

Mr. Slotnick (uncredited)

Blaise Corrigan

Blaise Corrigan

Taxi Driver (uncredited)

Dennis Jay Funny

Dennis Jay Funny

Gotham Citizen (uncredited)

James P. Harkins

Thomas Wayne's Body Guard (uncredited)

Joseph Hernandez

Protester / Rioter (uncredited)

Ben Heyman

Protestor (uncredited)

Graham Maby

Murray Franklin Band (uncredited)

Jesse Schratz

Jesse Schratz

Gotham City Sick Kid (uncredited)

Isabella Ferreira

Isabella Ferreira

Flirting Woman on the Bus (uncredited)

Shade Rupe

Shade Rupe

Bartender

Crew

Director, Writer

Todd Phillips

Characters

Bob Kane

Characters

Bill Finger

Characters

Jerry Robinson

Writer

Scott Silver

Reviews

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msbreviews

October 4, 2019

9

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Obviously, Joker is one of my most anticipated movies of 2019. I mean, how couldn't it be?! Besides belonging to the superhero genre, DC has been on a streak of great films within its universe, so an isolated installment definitely excites me, especially about one of the evilest villains ever. It's by far one of the less comic-book-y flicks of the century. It doesn't follow the generic origin story formula, it avoids any cliches associated with the genre, and it's the type of movie that's becoming more and more rare nowadays. It's a character study like we haven't seen in a long time.

I'll simply begin with the person that elevates the entire thing: Joaquin Phoenix. Now, if there's something I'm not going to do is compare his performance with Heath Ledger's. That's the number one mistake people are going to keep making forever. First of all, The Dark Knight and Joker couldn't be more distinct films, even if they belong to the same genre (despite Joker being unique, it's still about a famous comic-book villain). Then, despite Phoenix and Ledger portraying the same "version" of the clown (crazy, sadistic psychopath), the former is 90% Arthur Fleck while the latter is 100% Joker, throughout each of their movies. Finally, Phoenix is the sole protagonist of this feature, while Ledger had the best live-action Batman sharing the spotlight.

In conclusion, it's both unfair, and a bit unreasonable to compare both interpretations since their roles have a different impact on the narrative, as well as each film being entirely different. In the end, both are impressive. However, let's switch to Phoenix since he's the star of this show … He has 2019's best performance, by far! With a strong marketing campaign, I'm sure he'll get that Oscar. I hope so! It's so well-deserved. Todd Phillips and Scott Silver developed a brilliant screenplay, but Phoenix elevates it to a whole other level.

Throughout the entire runtime, I felt weird. Perturbed. Even uncomfortable with what I was watching and consequently feeling. It's a dark, brutal, violent, emotionally powerful origin of a villain who I feel disturbingly empathetic towards. Phoenix makes the story work due to its remarkably captivating display of someone who's mentally ill. Arthur Fleck slowly becoming crazier is due to how society behaves and not due to some chemical pool that transforms his skin white and hair green (nothing wrong with this, but I know which origin story I prefer). "The world is getting crazier out there", and it becomes excruciatingly painful to deal with it, especially when so much is going on with Arthur’s personal life, and most of it he doesn't even realize because he tries to hide everything behind a smile.

It's a screenplay filled with narrative twists that not only pack a punch of surprise but leave you feeling extremely upset. The last act is one of the best in the last few years. If the second act is an enormous build-up, the last one is a terrific payoff. I can't remember the last movie I saw where I loved 100% every single narrative decision. I wouldn't do any of the big moments differently. There are so many excellent references hidden in plain sight that comic-book fans (and fans of the TDK trilogy as well) will love just like I did. In the ending, there's one pivotal moment in particular that serves as the absolute climax … I got chills all over my body. They couldn't have done that scene more perfect. I only have one tiny nitpick with the way some scenes feel repetitive since they neither move the plot forward or give us anything new. Some of these still help to create tension, some feel like they're just… there.

A Best Picture and Best Actor nominations seem to be on its way, but these are not the only achievements that deserve to be recognized. The original score by Hildur Guðnadóttir is incredibly addictive, so much that I'm listening to it while writing this review. It definitely helps to generate tremendous build-up, and it elevates the sinister environment of Gotham City. Lawrence Sher's cinematography is utterly stunning. The underexposure of some scenes is glorious. Sher paints the screen with so many gorgeous shots, especially with his close-ups on Phoenix, where the latter is able to shine. Jeff Groth is also impeccable in the editing room. There are several long takes with Phoenix just giving his all and letting all his emotions out (or keeping them all contained), which is always something I deeply appreciate since it helps with the flow of the narrative.

Regarding the film's controversy surrounding its messages and the incentive to violence, I really don't know what to say. It's ridiculous. I remember those times when going into the movie theater was a surreal experience. It was the number one place for people to forget about their lives, jobs, everything. Joker is a fictional story! It's the origin of one of the worst psychopaths in the history of comic-books and cinema. If people expected to leave the theater "happy" or "joyful", then at least one of the film's message is right: society really is getting crazier. Have people forgotten who Joker is? What could you possibly expect from his origin story?!

Nowadays, no one knows how to behave (social media is the primary source for spreading hate). No one respects the fellow citizen or even the world itself. More and more people only look at their own bellies. Political agendas are everywhere. New extreme movements are created every other year. Social hypersensibility is exponentially growing. The same way some people will hate this movie for not being able (or simply not wanting) to accept that they feel empathy towards a murderer, people all around the world behave like their actions don't reflect on another person's life and on their own planet. If people get ruthlessly violent because they watched Joker, how can someone complain that the film's message is bad when it's eventually true?

All in all, Joker is one of the best movies of the year, and it's definitely on my Top3 at the date of this review. Joaquin Phoenix delivers my favorite male performance of 2019, by elevating a script about the origin of one of the evilest villains ever. The way he gradually becomes more insane is worthy of study, but it's how he's able to make the audience create empathy towards a psychopath that leaves me disturbingly captivated. Todd Phillips produces a character-study filled with an astonishingly tense build-up and one of the most chill-inducing payoffs of the last few years. With every single narrative decision nailed perfectly, Hildur Guðnadóttir's score and Lawrence Sher's cinematography stand out. The lack of restraint in showing the unmerciful violence (physical and mental) that society inflicts on one another is what makes us feel unsettled. Because we know it's mostly true, and we refuse to accept it. It's not a film about the Joker. It's a very realistic portrayal of someone (anyone!) who can become someone like him. And it's disturbingly brilliant!

PS: Robert DeNiro (Murray Franklin) and Zazie Beetz (Sophie Dumond) are also great. Phoenix's performance is so mesmerizing that I almost forgot there were other actors in the movie.

Rating: A

Media

Status:

Released

Original Language:

English

Budget:

$55,000,000.00

Revenue:

$1,078,958,629.00

Keywords

dream
street gang
society
psychopath
clown
villain
based on comic
murder
psychological thriller
criminal mastermind
mental illness
anarchy
character study
clown makeup
subway train
social realism
supervillain
tv host
1980s
mother son relationship
origin story
falling into madness
depressing
frightened
pretentious