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Star Wars: Episode III - Revenge of the Sith
Star Wars: Episode III - Revenge of the Sith

7.4

Star Wars: Episode III - Revenge of the Sith

PG-13·2005·140m

Summary

The evil Darth Sidious enacts his final plan for unlimited power -- and the heroic Jedi Anakin Skywalker must choose a side.

Cast

Hayden Christensen

Hayden Christensen

Anakin Skywalker / Darth Vader

Ewan McGregor

Ewan McGregor

Obi-Wan Kenobi

Natalie Portman

Natalie Portman

Padmé Amidala

Ian McDiarmid

Ian McDiarmid

Chancellor Palpatine / Darth Sidious

Samuel L. Jackson

Samuel L. Jackson

Mace Windu

Jimmy Smits

Jimmy Smits

Senator Bail Organa

Frank Oz

Frank Oz

Yoda (voice)

Anthony Daniels

Anthony Daniels

C-3PO

Christopher Lee

Christopher Lee

Count Dooku

Keisha Castle-Hughes

Keisha Castle-Hughes

Queen of Naboo

Silas Carson

Silas Carson

Nute Gunray / Ki-Adi Mundi

Jay Laga'aia

Jay Laga'aia

Captain Typho

Bruce Spence

Bruce Spence

Tion Medon

Wayne Pygram

Wayne Pygram

Governor Tarkin

Temuera Morrison

Temuera Morrison

Commander Cody

David Bowers

David Bowers

Mas Amedda

Oliver Ford Davies

Oliver Ford Davies

Sio Bibble

Ahmed Best

Ahmed Best

Jar Jar Binks

Rohan Nichol

Rohan Nichol

Captain Antilles

Jeremy Bulloch

Jeremy Bulloch

Captain Colton

Amanda Lucas

Amanda Lucas

Terr Taneel

Kenny Baker

Kenny Baker

R2-D2

Peter Mayhew

Peter Mayhew

Chewbacca

Rebecca Jackson Mendoza

Queen of Alderaan

Joel Edgerton

Joel Edgerton

Owen Lars

Bonnie Piesse

Bonnie Piesse

Beru Lars

Jett Lucas

Jett Lucas

Zett Jukassa

Tux Akindoyeni

Agen Kolar

Matt Rowan

Senator Orn Free Taa

Kenji Oates

Saesee Tiin

Amy Allen

Amy Allen

Aayla Secura

Bodie Taylor

Bodie Taylor

Clone Trooper

Graeme Blundell

Graeme Blundell

Ruwee Naberrie

Trisha Noble

Trisha Noble

Jobal Naberrie

Claudia Karvan

Claudia Karvan

Sola Naberrie

Keira Wingate

Ryoo Naberrie

Hayley Mooy

Pooja Naberrie

Sandi Finlay

Sly Moore

Katie Lucas

Katie Lucas

Chi Eekway

Genevieve O'Reilly

Genevieve O'Reilly

Mon Mothma

Warren Owens

Fang Zar

Kee Chan

Kee Chan

Malé-Dee

Rena Owen

Rena Owen

Nee Alavar

Christopher Kirby

Christopher Kirby

Giddean Danu

Matthew Wood

Matthew Wood

General Grievous (voice)

Kristy Wright

Kristy Wright

Moteé

Coinneach Alexander

Whie

Olivia McCallum

Bene

Michael Kingma

Michael Kingma

Wookiee

Axel Dench

Axel Dench

Wookiee

Steven Foy

Wookiee

Julian Khazzouh

Wookiee

James Rowland

Wookiee

David Stiff

Wookiee

Robert Cope

Robert Cope

Wookiee

George Lucas

George Lucas

Baron Papanoida (uncredited)

Nick Gillard

Nick Gillard

Cin Drallig (uncredited)

Aidan Barton

Luke Skywalker / Leia Organa (uncredited)

James Earl Jones

James Earl Jones

Darth Vader (voice - uncredited)

Ben Cooke

Ben Cooke

Kit Fisto (uncredited)

David Acord

David Acord

GH-7 Medical Droid (voice) (uncredited)

Paul Bateman

Meena TIlls (uncredited)

Ross Beadman

Sors Bandeam (uncredited)

Jerome St. John Blake

Jerome St. John Blake

Mas Amedda (uncredited)

Robert M. Bouffard

Clone Trooper (uncredited)

Jill Brooks

Opera House Patron (uncredited)

Gene Bryant

Darth Vader (uncredited)

Josh Canning

Jedi Knight (uncredited)

Dominique Chionchio

Jedi Knight (uncredited)

Rob Coleman

Rob Coleman

Opera House Patron (uncredited)

Fay David

Luminara Unduli (uncredited)

Caroline de Souza Correa

Caroline de Souza Correa

Bail Organa's Aide #1 (uncredited)

Eliana Dona

Hand Maiden (uncredited)

Malcolm Eager

Naboo Officer (uncredited)

Nina Fallon

Nina Fallon

Stass Allie (uncredited)

Tim Gibbons

Aqualish Senator (uncredited)

Roger Guyett

Roger Guyett

Opera House Patron (uncredited)

Chantal Harrison

Elle (uncredited)

Philip Harvey

Female Nikto (uncredited)

Pablo Hidalgo

Pablo Hidalgo

Janu Godalhi (uncredited)

Ali Keshavji

Fire Speeder Pilot (uncredited)

Shaun R.L. King

Naboo Guard (uncredited)

Goran D. Kleut

Goran D. Kleut

Lampay Fay (uncredited)

John Knoll

John Knoll

Fire Ship Pilot (uncredited)

Gervais Koffi

Jedi Knight (uncredited)

John M. Levin

Jedi Knight (uncredited)

Janet Lewin

Opera House Patron (uncredited)

Bai Ling

Bai Ling

Senator Bana Breemu (uncredited)

Dean Mitchell

Cellheim Anujo (uncredited)

Paul James Nicholson

Senator Po Nudo (uncredited)

Blake Nickle

Senator Calek Kelbin (uncredited)

Denise Ream

Denise Ream

Opera House Patron (uncredited)

Anthony Reyna

Opera Guest (uncredited)

Christopher Rodriguez

Gilgamour (uncredited)

Hamish Roxburgh

Naboo Guard (uncredited)

Mike Savva

Clone Jedi Knight (uncredited)

Jacqui Louez Schoorl

Senator (uncredited)

Lisa Shaunessy

Lisa Shaunessy

Senator (uncredited)

Orli Shoshan

Orli Shoshan

Shaak Ti (uncredited)

John Sigurdson

Runway Worker (uncredited)

Christian Simpson

Christian Simpson

BD-3000 Luxury Droid (movements) (uncredited)

Paul Spence

Paul Spence

Senator Ask Aak (uncredited)

Suzie Steen

Suzie Steen

Hand Maiden 3 (uncredited)

Richard Stride

Poggle the Lesser (uncredited)

Marty Wetherill

Magistrate Passel Argente (uncredited)

Aaliyah Williams

Aaliyah Williams

Jedi Knight (uncredited)

Masa Yamaguchi

Masa Yamaguchi

Senator (uncredited)

Matt Sloan

Plo Koon

Paul Davies

Meena Tills, Mon Calamari Senator (uncredited)

Marton Csokas

Marton Csokas

Poggle the Lesser (voice) (uncredited)

Lawrence Foster

Blue Senate Guard (uncredited)

Crew

Director, Characters, Screenplay

George Lucas

Characters

Leigh Brackett

Characters

Lawrence Kasdan

Characters

Jonathan Hales

Reviews

N

NeoBrowser

July 20, 2013

10

George Lucas comes full circle in more ways than one in "Star Wars: Episode III -- Revenge of the Sith," which is the sixth -- and allegedly but not necessarily the last -- of the "Star Wars" movies. After "Episode II" got so bogged down in politics that it played like the Republic covered by C-Span, "Episode III" is a return to the classic space opera style that launched the series. Because the story leads up to where the original "Star Wars" began, we get to use the immemorial movie phrase, "This is where we came in."

That Anakin Skywalker abandoned the Jedi and went over to the dark side is known to all students of "Star Wars." That his twins Luke Skywalker and Princess Leia would redeem the family name is also known. What we discover in "Episode III" is how and why Anakin lost his way -- how a pleasant and brave young man was transformed into a dark, cloaked figure with a fearsome black metal face. As Yoda sadly puts it in his inimitable word order: "The boy you trained, gone he is, consumed by Darth Vader."

As "Episode III" opens, Anakin Skywalker (Hayden Christensen) and his friend Obi-Wan Kenobi (Ewan McGregor) are piloting fighter craft, staging a daring two-man raid to rescue Chancellor Palpatine (Ian McDiarmid). He has been captured by the rebel Gen. Grievous (whose voice, by Matthew Woods, sounds curiously wheezy considering the general seems to use replacement parts). In the spirit of all the "Star Wars" movies, this rescue sequence flies in the face of logic, since the two pilots are able to board Grievous' command ship and proceed without much trouble to the ship's observation tower, where the chancellor is being held. There is a close call in an elevator shaft, but where are the guards and the security systems? And why, for that matter, does a deep space cruiser need an observation tower, when every porthole opens on to the universe? But never mind.

Back within the sphere of the Jedi Council, Anakin finds that despite his heroism, he will not yet be named a Jedi Master. The council distrusts Palpatine and wants Anakin to spy on him; Palpatine wants Anakin to spy on the council. Who to choose? McDiarmid has the most complex role in the movie as he plays on Anakin's wounded ego. Anakin is tempted to go over to what is not yet clearly the dark side; in a movie not distinguished for its dialogue, Palpatine is insidiously snaky in his persuasiveness.

The way Anakin approaches his choice, however, has a certain poignancy. Anakin has a rendezvous with Padme (Natalie Portman); they were secretly married in the previous film, and now she reveals she is pregnant. His reaction is that of a nice kid in a teenage comedy, trying to seem pleased while wondering how this will affect the other neat stuff he gets to do. To say that George Lucas cannot write a love scene is an understatement; greeting cards have expressed more passion.

The dialogue throughout the movie is once again its weakest point: The characters talk in what sounds like Basic English, without color, wit or verbal delight, as if they were channeling Berlitz. The exceptions are Palpatine and of course Yoda, whose speech (voiced by Frank Oz) reminds me of Wolcott Gibbs' famous line about the early style of Time magazine: "Backward ran sentences until reeled the mind."

In many cases the actors are being filmed in front of blue screens, with effects to be added later, and sometimes their readings are so flat, they don't seem to believe they're really in the middle of amazing events. How can you stand in front of exploding star fleets and sound as if you're talking on a cell phone at Starbucks?

"He's worried about you," Anakin is told at one point. "You've been under a lot of stress." Sometimes the emphasis in sentences is misplaced. During the elevator adventure in the opening rescue, we hear "Did I miss something?" when it should be "Did I miss something?"

The dialogue is not the point, however; Lucas' characters engage in sturdy oratorical pronunciamentos and then leap into adventure. "Episode III" has more action per square minute, I'd guess, than any of the previous five movies, and it is spectacular. The special effects are more sophisticated than in the earlier movies, of course, but not necessarily more effective.

The dogfight between fighters in the original "Star Wars" and the dogfight that opens this one differ in their complexity (many more ships this time, more planes of action, more detailed backgrounds) but not in their excitement. And although Lucas has his characters attend a futuristic opera that looks like a cross between Cirque de Soleil and an ultrasound scan of an unborn baby, if you regard the opera hall simply as a place, it's not as engaging as the saloon on Tatooine in the first movie.

The lesson, I think, is that special effects should be judged not by their complexity but by the degree that they stimulate the imagination, and "Episode III" is distinguished not by how well the effects are done, but by how amazingly they are imagined. A climactic duel on a blazing volcanic planet is as impressive, in its line, as anything in "Lord of the Rings." And Yoda, who began life as a Muppet but is now completely animated (like about 70 percent of what we see onscreen), was to begin with and still is the most lifelike of the non-humanoid "Star Wars" characters.

A word, however, about the duels fought with lightsabers. When they flashed into life with a mighty whizzing thunk in the first "Star Wars" and whooshed through their deadly parabolas, that was exciting. But the thrill is gone.

The duelists are so well-matched that saber fights go on forever before anyone is wounded, and I am still not sure how the sabers seem able to shield their bearers from attack. When it comes to great movie sword fights, Liam Neeson and Tim Roth took home the gold medal in "Rob Roy" (1995), and the lightsaber battles in "Episode III" are more like isometrics.

These are all, however, more observations than criticisms. George Lucas has achieved what few artists do; he has created and populated a world of his own. His "Star Wars" movies are among the most influential, both technically and commercially, ever made. And they are fun. If he got bogged down in solemnity and theory in "Episode II: Attack of the Clones," the Force is in a jollier mood this time, and "Revenge of the Sith" is a great entertainment.

Note: I said this is not necessarily the last of the "Star Wars" movies. Although Lucas has absolutely said he is finished with the series, it is inconceivable to me that 20th Century-Fox will willingly abandon the franchise, especially as Lucas has hinted that parts VII, VIII and IX exist at least in his mind. There will be enormous pressure for them to be made, if not by him, then by his deputies.

4.5/5

- Rodger Ebert

Media

Status:

Released

Original Language:

English

Budget:

$113,000,000.00

Revenue:

$850,000,000.00

Keywords

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