Do stories always begin with a blank page?

Itchy is a simple-minded but charismatic camel whose itchy hump is a constant distraction. As he absent-mindedly wanders through the desert, Itchy is hit in the muzzle by a tennis ball.

The featherless nightingale sings in the forest. His birdsong soothes the little bear who is having trouble sleeping, calms the squabbling squirrels and entertains the pair of swans swimming in the pond.

On 23rd February 2005, the radio announces a bill on the benefits of French colonization. This announcement disrupts Louise and her family's daily life. Her house turns out to be inhabited by peculiar presences.

The muffling of external noise that stems from isolation provides us with enough silence to start listening to our inner voice. Hello me, it's nice to meet you.

With a light-hearted look, an exploration of daily-life situations through four popular childhood games in Egyptian culture that stand the test of time.

Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.

This is both a comic and dark journey that explores a woman's love-hate relationship with her body and her femininity. It highlights the powerful symbolism that breasts evoke for everyone.

Is that what mass graves are like, one body on top of the other and nothing else? Through the rain, Oliver sends signals to his mother to help her unearth the truth.

A friendship between Kookoo Rikoo, the only Arab Christian Israeli clown, and a war survivor, a Syrian girl.

The phone rings at the President's house. His lover weeps. The F-19 bombs La Moneda. Allende commits suicide. Bodies are thown from the air. A mutilated eye. Human rights. Graphite and ink.

The story about a woman who lost her life under suspicious circumstances in a prison in 2007. Silenced by the authorities and forgotten by society, Faina was one of a handful of outspoken female activists who fought for freedom, justice and democracy.

Home and family, relationships, desires, wishes and everything are summarized in a kitchen. The stuttering boy is alone there, playing with his imagination.

The club offers up to you.

People exiled from their homes, deprived of money and valuables, sent to prisons – that is how they are treated during a war. A witness to these dramatic events is a German mark banknote with a portrait of Clara Schumann. Passed from hand to hand, it is part of the war, emigration or illegal business. This depressing plasticine animation shows a grim wartime reality. The leitmotif of the wandering banknote allows the story to come full circle and leads to a slightly hopeful ending.

Structured as a series of vignettes drawn in stark black and white, and to a soundtrack of mournful jazz, the film is a set of confessions anchored in fear, confusion, numbness, and anxiety.

I'm invited into a room. Someone is talking to me. I keep getting sucked into another place.

A man experiences visions of the interior and exterior of his being as he removes his "hypocritical masks", which leads him into an introspective struggle that will reveal to him the truth about existence.

A girl asks herself many questions, confronts some of her monsters, anger makes her transform into a wasp, she intertwines with her king, cries excessively, turns red all over, and in the end grows into a giant.

The mannequins are having a conversation in the dark. What kind of conversation are they having?