A man, depressed by his day-to-day life, ventures into the woods. Events ensue.

A fire breaks out in the Amazon rainforest, and frightened animals leave their habitat to take refuge on the other bank. Only a little hummingbird persists in fighting the fire when he spots a sloth and its young trapped in the flames.

The heroic deeds of the dolphin boy made him a legend among the sea creatures and the inhabitants of the island, but despite his fame, he feels lonely, because everyone around him expects only new achievements from him, and he has almost no real friends. In addition, he still does not know the story of his origin, even his real name is a mystery to the boy. The sudden appearance of huge whales and evil crabs in the sea strikes fear into the hearts of the islanders and sea creatures. Fate throws a new challenge to the dolphin boy, but at the same time gives him hope.

This time, Dolphin Boy has become a beloved and heroic figure in the eyes of sea creatures and the people of the island. However, he feels lonely because everyone expects him to always be a hero. Meanwhile, Khwaja Majid, who has lost all his wealth to Captain Pearl, is consumed by jealousy and prepares for battle. By chance, he encounters an enraged whale in the ocean and does everything he can to defeat Dolphin Boy.

A cosmic animator is hired by the Central Committee of the People's Republic to realize a philosophical film under the gaze of Chairman Mao, who is displeased and sentences them to death right at the start.

The refugee, the fled, the persecuted. The hidden, the migrant, the foreigner. The newcomer, seen with distrust, looks of fear and suspicion. In this evocative sand animation by filmmaker Pedro Serrazina, shadows, contrasts and a disturbing sound construction relive ancestral prejudices of the other, so ancient and so present. Clandestine words, whispered phrases, memories written on winter nights by candlelights.

Taking influence from Adam Beckett’s technique of infinite animation, Deluge begins with a simple premise: 24 frames of ink drawings that continuously build upon one another. The result is an entrancing and evolving loop of fantastic figures in mesmerising motion. As the eye finds focus on one portion of the frame, the next images seamlessly emerge.

In the isolated, absurd stage of the Penalty Box, two aging hockey players discuss their sport, along with the world itself –– both of which seem to be leaving them behind.

Serving as the episode 0 of the 50th anniversary Super Sentai Series, No. 1 Sentai Gozyuger, this short film features the record of the Super Sentai's final battle in the event called "Universe War".

An experimental animated short film that explores the relationship between humans and nature. Shot in December 2023 to support the ongoing battle to ban whaling in Iceland, the film takes viewers to spontaneous locations around Reykjavik and poses the question: can humanity find a more harmonious rhythm with nature?

Clément receives a telephone call from Tessa. It’s been a long time since they last spoke. As nightfall approaches, he gets lost in the city.

After remembering a family-woven island tale, young Ailsa ventures into a dreamlike world, in search of her absent father and a way to heal their hearts.

Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.

Gaëlle's world is falling apart. The group of boys she's been playing football with for years has begun to take an interest in girls.