The German intelligence officer Sturmer, under the guise of captain Voron, commits sabotage one after another with the aim of reaching the commander of the partisan detachment of Stration. Galinka, the daughter of Stration, who fell in love with Voron, invades their duel.

In Nazi-occupied Czechoslovakia, a doctor-turned-warehouse employee reluctantly agrees to treat a gravely wounded political fugitive, putting himself and everyone living in his building complex in danger.

In the aftermath of World War II, a Hungarian teenager, captured by Soviet troops, forms an unlikely bond with a Russian soldier in a remote prison camp.

During World War II, оld Georgian peasant wine-grower Georgy leaves his Georgian village and goes off to the front line, hoping to find his son. George should see and transfer a lot of things, he becomes a soldier and only in the last days of war finds the son...

One of filmmaker and expatriate writer Adonis Kyrou's best-known quotes translates roughly as "I urge you: Learn to look at 'bad' films, they are so often sublime." The same could be said of Kyrou's own directorial work in Greece before the advent of the 1967 dictatorship forced him to flee to Paris. This confused mess, the first cinematic attempt at portraying the Greek resistance in WWII, caused quite a stink upon release, as much for its surprising style (recalling that of Bertolt Brecht) as for its subject matter. Reaction to its screening as part of the 1966 Cannes Film Festival's International Critic's Week was heated and divisive, proving Kyrou's later statement by rising above its own inherent silliness to achieve a sort of rarefied critical status. It's bad drama that nonetheless succeeds by dint of audacity more than quality (a comment which could apply equally to the work of many exploitation directors like Jean Rollin whom Kyrou later so lovingly profiled).

A story about a Filipino guerilla Sargent who was tasked to ambush a company of Japanese soldiers staying at a convent.

J. Robert Oppenheimer and other key figures involved in the decision to drop the first atomic bomb discuss their motivations in this NBC News documentary. Originally produced and televised in 1965, two decades after the bombings of Hiroshima and Nagasaki, it was re-released in 2023 with an epilogue by Michael Beschloss, NBC News Presidential Historian.

The first fictional feature film produced in Algeria after independence, this film addresses one of the most worrying problems: that of childhood. Children, freedom regained, do not yet know how to play “at peace”, they naturally play “at war”.

Historical film in four scenes which retrace the returns, the progress and the outcome of the war of liberation in Algeria. The first painting, “The land was thirsty” describes aspects of injustice and colonial oppression. The second “The Paths to the Prison” recounts the sufferings of the people engaged in combat. The last two are the stories of two lives.

Polish TV movie. Lost.

An impressionistic slapstick satire on bomb shelters, military recruiting and gung-ho philosophy.

Queen Min makes regent Prince Daewon withdraw from ruling with the help of the Min Seung-ho Party.

This wartime melodrama revolves around a woman caught between two men: her husband, a South Korean lieutenant, and her former lover, a North Korean officer who defects to come find her.

In 1943, four Italian Alpini escape back to Italy after their company was decimated in Croatia by Yugoslav partisans. One of the four, Paolo, is seriously wounded and must undergo a leg amputation. The young man, embittered by his mutilation and the end of his soccer career, enlists in the fascist Brigate Nere. Once a member of the Brigate Nere, Paolo turns to evil and captures his former comrades, who must defeat him.

A promotional short for Operation Crossbow (1965) giving historical background for the film's plot using archival footage of Robert Goddard's rocket experiments in the 1930s. Nazi Germany bought his patents to start their rocket program.

Mother Feng and her family struggle to live before and during the Japanese invasion of China.

An unusual Marathi war movie which mobilises and updates a historical/regional chauvinism associated with 17th-C. Maratha emperor Shivaji. Major Subhanrao Malusare, a direct descendant of Shivaji’s legendary lieutenant Tanaji Malusare, continues a proud family tradition by winning the Victoria Cross as an Allied officer fighting against Italian fascists in WW2. When he dies, his wife Savitri (Uma) vows that their son will never join the army. However, during the India-China conflict (1962), when her son’s friend is killed, she enjoins her son to fight for the nation even though the boy’s death would mean the end of the ancient clan. The film updated the rousing sentimentalism associated with Shivaji historicals into the present via songs such as He bharatiyano aika balidan katha veeranchi.