China's biggest and bloodiest battle comes to the screen in it's epic glory! The year is 1645, and the Chinese patriots are fighting for their very existence. Traitors are everywhere, so they can only trust one thing: their Martial Art Skills. Carter Wong and Polly Shan Kwan, the cast of the epic 18 Bronzemen series reunite in a major motion picture that dwarfs the rest! They fight in the thousands and die by the hundreds. Based on historical fact, Iron Phoenix takes heroism to new heights, and action to a new level!

Once upon a time, in the middle of the last century, a great warrior named Babatou. Nigerian jumper from the region Dounga Gurunsi invaded the country and settled there. The brave prisoners were integrated into the army, women espoused. For fifty years, the adventurous young people from Niger Babatou went to live in the epic.

An adaptation of the Aeschylus play.

A man wanders around the mountains with a bleeding leg, holding a rifle in his hand. Seemingly a fugitive, he runs from as-yet unknown pursuers, but he also seems to be following somebody who has already walked the same path. As he hides in a secluded cave, past memories sweep through his exhausted mind, memories of lifelong cowardice and evasion. And this recollection leads to a reconstruction of early 20th century Korean history. Winner of Best Picture (Nam-a Pictures Co., Ltd.), Best Actor (Ha Myung-joong), Best Art Direction (Kim Yoo-joon), Best Lighting (Son Young-cheol) at the 14th Grand Bell Awards. (source: Jiro Hong, koreanfilm.org)

In September 1944, the red army crosses the Danube. Private Ales together with his agricultural horses follows the victory march. A broken wheel of his cart forces Ales to fall behind and look for help in the nearby village. The "odyssey" of the common cavalry soldier begins. He becomes a friend with the Bulgarian peasants. They need to part ways with a hidden sadness and true love. —Georgi Djulgerov

An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.

The second part of the Seventh Company adventures.

The film is based on a real story. Climbers found the purse of a military postman killed during World War II, letters sent 30 years later.

George Washington struggles to hold his army together at a critical point during the Revolutionary War.

A history of the Pacific War comprising of American combat footage with Japanese wartime newsreels

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.

A story about few partisans hiding in the Belorussian woods and fighting German Army during WWII.

In Fascist Albania 1942, Albanian partisans will do all they can to remove the Italian fascists from their country.

Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.

A married couple living in a remote farm find themselves in the midst of war, where many different sides walk through the area. They attempt to save their lives and stay neutral despite accusations of being traitors that every army brings upon them.

The fictional town of Villa Romero is the set upon which the events of Spain's civil war play out. Villa Romero is home to Vandale (Mariangela Melato) a witch, count Cerralbo (Bento Urago) a powerless land baron, and his four sons. Three of Cerralbo's sons are ruthless sadists who pillage the countryside, but the fourth, Goya (Ron Faber), is an artist challenging authority and the church.

Two years after the war, during a train trip, Henryk (20) recollects the occupation period. He passes different train stations and recollects various situations from the past: his family life, working in a garage, guerrilla warfare, the fear that accompanied him every day. He’s looking at the travellers’ faces, including the ones who have survived the war.