Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
Donald Pleasence
Loomis
Jamie Lee Curtis
Laurie
Nancy Kyes
Annie
P.J. Soles
Lynda
Charles Cyphers
Brackett
Kyle Richards
Lindsey
Brian Andrews
Tommy
John Michael Graham
Bob
Nancy Stephens
Marion
Arthur Malet
Graveyard Keeper
Mickey Yablans
Richie
Brent Le Page
Lonnie
Adam Hollander
Keith
Robert Phalen
Dr. Wynn
Tony Moran
Michael Myers age 23
Will Sandin
Michael Myers age 6
Sandy Johnson
Judith Myers
David Kyle
Boyfriend
Peter Griffith
Laurie's Father
Nick Castle
The Shape
Barry Bernardi
Dead Mechanic (uncredited)
Joseph Cornelius
Classmate (uncredited)
George O'Hanlon Jr.
Mr. Peter Myers (uncredited)
Darla Rae
Student (uncredited)
John Carpenter
Paul (voice) / Michael Myers (uncredited)
Tommy Lee Wallace
Michael Myers (uncredited)
Director, Screenplay
John Carpenter
Screenplay
Debra Hill
February 17, 2017
Once upon a time, during a long ago (but certainly not forgotten) era, a horror film's radio trailer would feature the chilling voice-over of a male commentator, whom, after presenting a teaser synopsis for the slasher film's plot (over intimations of both sound and speech from the movie of course), would conclude the radio spot with the following words: 'Coming soon to a theater near you.' And, 'Rated R. Under 17 not admitted without a parent.'
(Laughs) ...
Those classic horror film radio trailers used to scare the weebie-jeebies out of me! But boy, did I love them wholeheartedly.
(Pondering ... in remembrance)
Where John Carpenter's independent cult opus "Halloween" is concerned, the radio trailer had been no less terrifying. In fact, it made my blood run ice cold. . .
Though Halloween, one of my most beloved horror films in cinematic history, debuted (theatrically) in 1978, it would not be until October of 1980 that my family and I would spend our "Movie Date Night" at what had been a gorgeous movie theater in Gurnee, IL., buying hot dogs, Raisinettes, popcorn, and drinks from its state-of-the-art concession areas, and bracing ourselves for the terror which we were about to watch on one of the theater's humongous screens. Even from that time, I had cover and poster love: Book covers, album covers, and yes, movie posters. It was the artwork. Cover and poster art has always fascinated me. And upon seeing the poster art for Halloween, I fell smitten. For it had been one of the most unique movie posters that I'd ever seen at that time ... And I never forgot it. The artwork, featuring a man's hand wrapped around the handle of a butcher's knife, its pointed tip shown to be in alignment with the face of a Jack O' Lantern, was some of the most creative - not to mention original - movie poster art that my eyes had ever beheld at that time. To this day, it STILL reverberates. I can remember my reaction to it so well, what just standing in that beautiful lobby and staring at the poster for Halloween as it hung in its frame on the movie house wall. Too good. Too good.
'The Night He Came Home!' ...
If there is one horror film antagonist who has left a permanent emboss of the word "terror" on my psyche, it's Michael Myers. From the moment Halloween opened on the screen, fear came along to take up its abode within my entire being. The score, titled "Halloween Theme", which is also the (Main Title), was so eerily distinctive that the entire theater audience fell into silence - every patron hanging on to every piercing chord of it ... Perhaps me, especially, considering my own gift of music. The incredible John Carpenter not only directed and co-wrote (with Debra Hill) the screenplay for Halloween, but he also composed the entire soundtrack. . .himself. Carp is a badass for sure!
Moving on. . .
Set in the fictive town of Haddonfield, IL., this legendary cult film opens to a crowd of children out trick-or-treating on Halloween night. And these candy revelers include a six-year-old boy named Michael, whose choice of costume is a clown suit with a mask. All is well; a seemingly fun-filled All Hollows' Eve night ... Until Michael returns home from his evening of candy collecting, walks, almost mechanically, into his family's kitchen, selects a butcher's knife from the cutlery set, waits until his older sister's boyfriend (who's just finished having sexual relations with her) leaves, then walks, mechanically, upstairs to that same sister's bedroom - catching her unawares. When she turns around (still naked after her sexual escapade) to address him as her younger brother, Michael begins to take his turn penetrating her. . .with the sharp point of the knife. And he doesn't stop his blade puncturing until his sister collapses. He then walks back downstairs and goes out in the front yard to wait. Their parents soon return home to find Michael just standing outside - his face still covered by his mask - with the bloodied knife in his young hand. One of his parents lifts the mask, and we get our first glimpse at the six-year-old face of Michael Myers. The year was 1963.
That was just the opening.
It would be fifteen years later (in 1978) before the now 21-year-old Michael, escaped from the Smith's Grove Sanitarium, could return to Haddonfield for the purpose of laying claim on his former childhood home: Sitting unsold since the time he murdered his sister, ended up at Smith's Grove as the result of it, and succumbed to the abandonment of his parents. When Michael Myers returned to Haddonfield, all Hell broke loose ... Literally.
A phenomenally directed cinematic ouvre, Halloween stars Jamie Lee Curtis as Laurie Strode, the teenaged protagonist who becomes the hunted of Michael Myers; Donald Pleasence, who portrays Michael's psychiatrist, Dr. Sam Loomis; Brian Andrews, who was cast to play Tommy Doyle; and Nancy Loomis as Annie Brackett, one of Laurie's two best friends, respectively.
Shot on a $325,000.00 budget, Halloween would go on to earn over $71 million worldwide ... For a reason.
A true cult legend is this Carpenter masterpiece. It is sheer filmmaking ingenuity, a landmark of cinema, and more than worthy of each one of its five stars.