England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.
Tilda Swinton
Orlando
Billy Zane
Shelmerdine
Lothaire Bluteau
The Khan
John Wood
Archduke Harry
Charlotte Valandrey
Sasha
Heathcote Williams
Nick Greene / Publisher
Quentin Crisp
Queen Elizabeth I
Peter Eyre
Mr. Pope
Thom Hoffman
King William of Orange
Kathryn Hunter
Countess
Ned Sherrin
Mr. Addison
Jimmy Somerville
Singer / Angel
Dudley Sutton
King James I
John Bott
Orlando's Father
Elaine Banham
Orlando's Mother
Anna Farnworth
Clorinda
Sara Mair-Thomas
Favilla
Anna Healy
Euphrosyne
Simon Russell Beale
Earl of Moray
Matthew Sim
Lord Francis Vere
Jerome Willis
Translator
Viktor Stepanov
Russian Ambassador
Mary MacLeod
First Woman
Barbara Hicks
Second Woman
Alexander Medvedev
Russian Sailor
Toby Stephens
Othello
Oleg Pogodin
Desdemona
George Antoni
First Valet
Toby Jones
Second Valet
Robert Demeger
Third Valet
Lol Coxhill
Butler
Thom Osborn
Doctor
Giles Taylor
Singing Valet
Sarah Crowden
Queen Mary
Hugh Munro
Second Butler
Peter Hayward
Harpsichordist
Andrew Watts
Counter Tenor
Roger Hammond
Mr. Swift
Cyril Lecomte
Young Man
Olivia Lancelot
Young Woman
John Grillo
First Official
Martin Wimbush
Second Official
Terence Soall
Third Butler
Jessica Swinton
Orlando's Daughter
Director, Screenplay
Sally Potter
Novel
Virginia Woolf
Story Editor
Walter Donohue
September 29, 2022
5
**Based on a somewhat controversial novel, it tackles gender issues and other deep subjects quite well.**
“Orlando” is perhaps one of the most interesting and controversial novels by the equally controversial Virginia Woolf. The details of this writer's life are known: the sexual abuse she suffered in childhood, the depressive crises, the existential doubts she experienced all her life, her bisexuality. And “Orlando” was born in this context: it is the result of the relationship between Woolf and Victoria Sackville West, an aristocrat who maintained an open marriage, in which she could live her sexuality with other women. To what extent have Victoria or the author herself, at certain moments, not wanted or fantasized about an eventual sex change? I don't know, however, I assume that Woolf's novel may be one of the first literary works to explore the possibility of transsexuality.
The film doesn't do much more than transport Woolf's words to the screen, recreating a story where a young androgynous English aristocrat of the Elizabethan court, Lord Orlando, finds himself the object of the affection of the old queen, who gives him various goods and perks. on condition that he can never grow old or die, which actually happens! Thus, “blessed” (the eventual negative consequences are never addressed) in this way, Orlando crosses the centuries without aging a day, lives in love and gets to know other countries. At one point, he is possessed by a sleep he cannot wake up from, and when he finally wakes up, he has mysteriously become a woman, and spends the next two hundred years proving that not only did he never die, he changed sex. And the years go by, with the film ending in our days.
The film is responsible for boosting the film career of Tilda Swinton, a British actress who, even before making this film, was already pursuing a somewhat androgynous aesthetic look, perhaps due to having spent her childhood as the only girl among several male brothers. . The truth is that the film contributed decisively to the actress's career. She dominates the film and gives us a superb performance. John Wood and Quentin Crisp also do great value work.
Technically, what stands out the most about this film is the cinematography, very careful and beautiful, and the smooth but consistent pace of a film that can take a while to convince viewers, but manages to do it and keeps our attention until at end. Filmed largely on British soil, it makes good use of various aristocratic houses as part of its set, and all the costumes, for each historical era, were really well done.