The hit musical based on the life of Evita Duarte, a B-movie Argentinian actress who eventually became the wife of Argentinian president and dictator Juan Perón, and the most beloved and hated woman in Argentina.
Madonna
Eva Perón
Antonio Banderas
Ché
Jonathan Pryce
Juan Perón
Jimmy Nail
Agustín Magaldi
Victoria Sus
Doña Juana
Julian Littman
Brother Juan
Olga Merediz
Blanca
Laura Pallas
Elisa
Julia Worsley
Erminda
María Luján Hidalgo
Young Eva
Servando Villamil
Cipriano Reyes
Andrea Corr
Perón's Mistress
Alan Parker
Tormented Film Director
Adrià Collado
Carlos
Gary Brooker
Juan Bramuglia
Maite Yerro
Julieta
Mark Ryan
Waiter in Junín Bar
Peter Polycarpou
Domingo Mercante
Billie Piper
Autograph Girl (uncredited)
Director, Screenplay
Alan Parker
Lyricist, Musical, Writer
Tim Rice
Screenplay
Oliver Stone
December 25, 2022
6
So if you know anything about the history of the rise of Perón in Argentina, and/or have seen the excellent theatrical performance of Rice and Lloyd Webber's "Evita" then you will already have the basis for this really rather poor big screen adaptation of both. Madonna is not much of an actress and though her voice manages the songs well enough, her on-screen persona here just falls flat. She is not helped much by a poorly cast Jonathan Pryce as her president - and frankly rather insipid - husband and by the terribly wooden Jimmy Nail as journeyman singer "Magaldi". Perhaps only Antonio Banderas salvages anything from his authentic characterisation of the narrator "Ché" - but otherwise this is a good looking but lacklustre, episodically constructed, series of musical set-pieces that creates an overall feeling of - well, emptiness. Madonna's efforts fail to ignite any sense of the magnetism of this astonishing woman who went from brothel to Presidential palace in such a short time; it pays scant regard to the ruthless (and venal) nature of the prevailing politics of Argentina and in the end proves to be little more than a compendium of good/great songs set to well attired and produced videos. Some things are better left to the stage - and this is certainly one of those!