An undocumented Filipina immigrant lands a job as a careworker for a seemingly terminal old man, securing a better life for her and her daughter. But a dark discovery threatens to destroy everything she’s strived for and holds dear.
Max Eigenmann
Joy
Jaeden Paige Boadilla
Grace
Leanne Best
Katherine
David Hayman
Mr. Garrett
Caleb Johnston-Miller
Orlando
Oliver Wellington
Gary
Eugenia Low
Apparition
Jodie Cuaresma
Apparition
Seb Yates Cridland
Young Man
Stephanie Connell
Old Woman
Sophie Morris-Sheppard
Mrs. Johnson
Eva Jane Willis
Grace's Father's Wife
Gabriel Vick
Mr. Johnson
Jasmine Naziah Jones
Mrs. Clark
Rob Pomfret
Grace's Father
Hannah Knight
Apparition
Dominic Cazenove
Mr. Clark
Saskia Rose
Officer 1
Angelo Paragoso
June
Faizal Abdullah
Priest
Jane Ryan
Young Lady
Mireia Espluga
Apparition
Director, Writer
Paris Zarcilla
January 15, 2024
6
"Joy" (Max Eigenmann) is struggling to find work and bring up her young daughter "Grace" (Jaeden Paige Boadilla) in a Britain where she has no legal status. That sends her down the agency cleaning route where she arrives at the large home of "Katherine" (Leanne Best) who is looking after her bedridden elderly uncle "Garrett" (David Hayman). Now her new employer knows nothing of the daughter, even though her's is a live-in appointment. It's only when "Katherine" has to go away for a weekend leaving the elderly man - and his medication - in her care, that "Grace" can be herself a bit more and we start to realise that there's something fishy going on. Indeed, a mishap with the pills starts to enliven this hitherto husk of a man and we soon start to wonder if "Katherine" isn't up to no good. The enigmatic "Garrett" is clearly no saint either, and though he befriends the curious and friendly "Grace" with hot chocolate, it's increasingly clear that he too has an agenda - especially when her mother is rounded up by immigration officials. Most of this film is actually unremarkable, but the last half hour or so does liven it up a little as all of the characters start to come into play and the story begins to pick up some pace. Hayman delivers quite well, keeping us guessing for a while about the true nature of his character, but the rest of the acting and the writing are neither here nor there and there is much too much preamble. The denouement reminded me a little of something Edgar Wright might have delivered, but otherwise it's not really much more than an OK watch.
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00