After the death of her mother, Evie is approached by an unknown cousin who invites her to a lavish wedding in the English countryside. Soon, she realizes a gothic conspiracy is afoot and must fight for survival as she uncovers twisted secrets in her family’s history.
Nathalie Emmanuel
Evie Alexander
Thomas Doherty
Walter De Ville
Sean Pertwee
Mr. Fields
Hugh Skinner
Oliver Alexander
Carol Ann Crawford
Mrs. Swift
Alana Boden
Lucy
Stephanie Corneliussen
Viktoria
Tian Chaudhry
Diya
Courtney Taylor
Grace
Scott Alexander Young
Uncle Julius
Ian Lindsay
Great Uncle Alfred
Lili Walters
Imogen
Elizabeth Counsell
Mina Harker
Virág Bárány
Emmaline
Jeremy Wheeler
Jonathan Harker
Viktoria Monhor
Maid #1
Celina Schleicher
Maid #3
Panka Murányi
Maid #4
Simon Szabó
Dark Priest
Peter Linka
CEO
Stephen Saracco
Older Man
Gábor Matus
Boss (Tony)
Kata Sarbó
Manicurist
András Korcsmáros
Groundskeeper
Christine Grace Szarkó
Cheerful Woman
Director
Jessica M. Thompson
Writer
Blair Butler
August 29, 2022
6
OK, so this is about as derivative as it is possible to get - but you know what, I actually quite enjoyed it. It's a short and sweet tale of the young "Evie" (Nathalie Emmanuel). She does one of those online DNA tests and before she knows it, is having a posh lunch with "Oliver" (Hugh Skinner) - a posh British lad who claims that she is his long lost cousin. After about thirty seconds, she is invited to come to Yorkshire for a wedding and, as you would - readily accepts. Upon arrival, she encounters their irascible butler "Fields" (Sean Pertwee) and then the hunky lord of the manor "Walt" (Thomas Doherty). She is smitten, indeed they are at it within twenty four hours - but soon she starts to sense that things at the new "Carfax Manor" are not quite what they may seem - not least because there is a distinct lack of bride and groom; and the waitresses employed to cater for the occasion have a habit of disappearing. What could be going on...? Well, it's fairly clear to us from the start who the baddie is, and that "Viktoria" (a sort of Angelina Jolie-esque Stephanie Corneliussen) and her pal "Lucy" (Alana Boden) are in on the cunning scheme too. It has clearly been done on a limited budget, but the direction is still just about adequate. The story, though, is pretty thin and the acting is drama school stuff for the most part before an ending that really does let the whole thing down rather badly. Still, I watched it with considerable trepidation in a pretty empty cinema, and left thinking it passed 100-odd minutes amiably enough. Not great, no - but not rubbish either.