7.4
An alien and a robot land on Earth after World War II and tell mankind to be peaceful or face destruction.
Michael Rennie
Klaatu, alias Mr. Carpenter
Patricia Neal
Helen Benson
Billy Gray
Bobby Benson
Sam Jaffe
Prof. Jacob Barnhardt
Hugh Marlowe
Tom Stevens
Lock Martin
Gort
Freeman Lusk
General Cutler
Edith Evanson
Mrs. Crockett, landlady
Frank Conroy
Mr. Harley, Secretary to the President
Frances Bavier
Mrs. Barley, boarder
John Brown
George Barley, boarder
Olan Soule
Mr. Krull, boarder
Marjorie Crossland
Hilda, Barnhart's secretary
Elmer Davis
Elmer Davis
H.V. Kaltenborn
H. V. Kaltenborn
Drew Pearson
Drew Pearson
Gabriel Heatter
Gabriel Heatter (voice)
Harry Lauter
Lieutenant in Charge of Landing Site
James Doyle
Army Dr. White
Larry Dobkin
Balding Army Doctor
Robert Osterloh
Army Examining Doctor
Glenn Hardy
Radio Interviewer at Landing Site
Tyler McVey
Brady
House Peters Jr.
M.P. Captain at Barnhardt's
George Lynn
Conference Colonel Ryder
Dorothy Neumann
Margaret, Tom's secretary
Wheaton Chambers
Mr. Bleeker, jeweller
Carleton Young
Zone Five Lieutenant Colonel
Harry Harvey
The Cab Driver
Sammy Ogg
Sammy, boy witness
Bess Flowers
Lady Outside Jewelry Store
James Seay
Government Man
Grady Galloway
Radar Operator
Hassan Khayyam
Indian Newscaster
John Barton
British Newscaster
Stuart Whitman
Sentry (scene deleted)
Rama Bai
Scientific Delegate
John Burton
British Radio Announcer
Bill Welsh
Radio Announcer (voice)
Director
Robert Wise
Original Story
Harry Bates
Screenplay
Edmund H. North
November 2, 2013
10
I'm impatient with stupidity. My people have learned to live without it.
The Day the Earth Stood Still is directed by Robert Wise and adapted to screenplay by Edmund H. North from the story Farewell to the Master written by Harry Bates. It stars Michael Rennie, Patricia Neal, Hugh Marlowe, Sam Jaffe, Billy Gray and Frances Bavier. Music is by Bernard Herrmann and cinematography by Leo Tover.
Classic sci-fi is right here as director Robert Wise gives a beautifully steady hand to Harry Bate's short story. Peace for the world or else is the message and I don't see anything wrong with that because it stands up to relevant scrutiny today and unfortunately many days ahead in the future. Debates about the allegorical worth of the film still persist today, but the core message is not up for argument.
Wise shows his influences from the time when he worked with Orson Welles and Val Lewton, where here, aided by Tover's beautiful photography, he blends the feel of semi-documentary starkness with film noir visuality. Whether it's scenes of Klaatu (Rennie) trawling the wet night streets, or the interiors of the spaceship and boarding house, the visual imagery by way of low-key lighting compositions is often striking for mood accentuation.
All the cast are spot on in their respective performances, with Neal refreshingly given a female role that doesn't resort to her being token sex appeal or a shrieking harpy. Herrmann's understated score is dynamite, and pretty much imitated wholesale from this point onwards, and the film is laced with poignant and frightening scenes that keep the viewer firmly glued to the tale unfolding. The demonstration of the visitors power gives the film its title and it's a glorious slice of celluloid, and in Gort the robot (Lock Martin) we have one of the biggest icons in sci-fi cinema.
Once viewed one can never forget The Day The Earth Stood Still, its message, its structured precision and its technical smarts ensure you will remember this film always. One of the most important science fiction movies of all time, a game changer in the critical year for the sci-fi genre. All told it's magic cinema still standing the test of time. 10/10
Status:
Released
Original Language:
English
Budget:
$995,000.00
Revenue:
$1,850,000.00