7.1
The true-life story of boxer-turned-priest. When an injury ends his amateur boxing career, Stuart Long moves to Los Angeles to find money and fame. While scraping by as a supermarket clerk, he meets Carmen, a Sunday school teacher who seems immune to his bad-boy charm. Determined to win her over, the longtime agnostic starts going to church to impress her. However, a motorcycle accident leaves him wondering if he can use his second chance to help others, leading to the surprising realization that he's meant to be a Catholic priest.
Mark Wahlberg
Father Stuart 'Stu' Long
Mel Gibson
Bill Long
Jacki Weaver
Kathleen Long
Teresa Ruiz
Carmen
Malcolm McDowell
Monsignor Kelly
Annet Mahendru
Mary
Cody Fern
Priest
Winter Ave Zoli
Allison
Faith Jefferies
Time Keeper
Ronnie Gene Blevins
Bartender
Ned Bellamy
Dr. Novack
Michael Fairman
Randall
Niko Nicotera
Barfly
Alain Uy
Tim
Carlos Leal
Father Garcia
Annie Lee
Dr. Wan
Aaron Moten
Ham
Molly Baker
Mrs. Ferris
Chiquita Fuller
Waitress
Betsy Moore
Montana Sheriff
Tenz McCall
Young Stu
Penny L. Moore
Jenny
Tim Sitarz
Bouncer
Rudy Moreno
Market Customer
Nicholas A. Goldreich
Los Angeles Police Officer
Indie DesRoches
Sunday School Boy
Lily Villegas
Sunday School Girl
Roberto Montesinos
Carmen's Dad
Danielle Golden
EMT
Sharmila Devar
Los Angeles Nurse
Sean O'Reilly
Father Kelly's Secretary
James Flavin
Bishop
Jorge-Luis Pallo
Gael
Clay Wilcox
AA Chairperson
Lila Karp-Ziring
Medieval Background Girl
Steve Olson
Medieval Set Assistant Director
Dennis Keiffer
Medieval Bad Guy
Travis Wong
Medieval Knight
Bryan Kreutz
Bar Patron
Larry Bagby
Bartender
Mathew Trent Hunnicutt
Bar Patron
Mariah Maison
Cute Big Sky Nurse
Tyler Burke
21 year old Kid
Skip Howland
Boxing Judge
Pablo Ramos
Church Parishioner
Brian Ortega
Boxer #2
Patricia Belcher
Maude
Colleen Camp
Motel Receptionist
Director, Screenplay
Rosalind Ross
May 15, 2022
5
Let me start off by saying that I completely understand all of the hate this film is getting, and that's because for the first half of the film I hated it too. For too much of this film, a lot of the characters are just unlikable slobs . . . especially Mel Gibson's character of Bill Long. Also, the story plays out . . . well, it plays out terribly for the first half of the film. It wasn't until later in the film when Stuart Long decides to become a preacher that I was actually invested, and why's that? That's because Long was an absolute piece of trash that I didn't want to watch for the first half of the film. This does not go without saying that by the end I liked Stuart Long's character in the film, but I couldn't like him for the first half.
The film isn't precisely terrible, but it isn't good. The third act is solid, but everything in the first act is bad, and the second where Stu is transitioning is mediocre. This does not make for a good film. When the film is simply bad for the first two acts, it can't just make up for it with a good third act, which sucks because the third act was actually not too bad.
The entire path of redemption message is interesting, but we've seen it done before, and with much better characters to say the least, but of course, this isn't saying that the path to redemption is bad to watch, but it is still bland and has been done multiple times before.
It was nice to see Bill Long become a semi-decent human being at the end of the film, because he realizes he has to now actually care for his son, Stu, but it doesn't really redeem him as a character within the film's boundaries. Also, Bill's character is an absolute D-bag throughout most of the film, so it makes it extremely hard to like him as a character by the end of the film . . . but, boy, if seeing that final dance with his wife wasn't something. . . .
Forgiveness is really what's at the core of "Father Stu", but I've already covered that previously. What I'm trying to talk about here is how almost all the characters have something they want to be forgiven for. Bill & Kathleen Long do seem to regret their choices that brought them to this point in their lives, and it's clear that they regret whatever tore them apart. As for Stu, he wants to be forgiven for everything. He regrets just about everything he's done in his life up to this point. The sad part about it is: There's just too much that Stu's done for the audience to really forgive him completely, although it is terrible what happened to him.
In my eyes, "Father Stu" isn't absolutely terrible, and I do think that it's mediocre at best by the end of the day. The third act is very well done, but because of all the other stuff beforehand it leaves a bad taste in my mouth. I think people should check this one out if they're interested, but other than that, just leave it be. Ultimately, "Father Stu" is a hard thumbs down for me.