Val has reached a place where he feels the only way out is to end things. But he considers himself a bit of a failure—his effectiveness lacking—so he figures he could use some help. As luck would have it, Val’s best friend, Kevin, is recovering from a failed suicide attempt, so he seems like the perfect partner for executing this double suicide plan. But before they go, they have some unfinished business to attend to.
Jerrod Carmichael
Val
Christopher Abbott
Kevin
Tiffany Haddish
Natasha
Lavell Crawford
Donny
JB Smoove
Lyndell
Henry Winkler
Dr. Brenner
Ryan McDonald
Brian
Allison Busner
Leah
Jamie Mac
Todd
Tori Hammond
Lori
Jared Abrahamson
Wyatt
Zachary Aiello
Andre
Sydney Van Delft
Beth
Huy Hao Tran
Janitor
Matthew Gorman
Dennis
Craig Arnold
Eddie
Clyde Whitham
Mr. Ritchie
Richard Anderson
Security Guard
Sharon Forrester
Nurse
David Thompson
Police Officer
Derrick Reeve
Jimmy
Yeva Light
Addison
Emma Gray
Girl Motocross Employee
Gryffin Hanvelt
Young Kevin
Avelyn Graye
Meth Head Woman
Jordan Blais
Police Officer (uncredited)
Dan Day
Gun Range Expert (uncredited)
Jen Julien
Psychiatric Care Patient (uncredited)
Sarah McArdle
Mental Health Worker (uncredited)
Darcy Ryan Langille
Police Officer (uncredited)
Chelsea Woods
Police Officer (uncredited)
Director
Jerrod Carmichael
Writer
Ari Katcher
Writer
Ryan Welch
January 30, 2021
8
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Even though On the Count of Three isn’t exactly a comedy or a light film based on a silly premise (How It Ends), I did expect humor to play a big part. In this regard, I wasn’t disappointed. Christopher Abbott (Possessor) is particularly funny with all his self-debates about taboo matters such as racism and general discrimination, but there are several meaningful messages “hidden” in the seemingly comedic scenes. Let me also praise Jerrod Carmichael for his grounded, emotionally compelling display and for his terrific directing. The actors share impeccable chemistry and transform a supposedly close friendship into something really authentic.
Val (Carmichael) and Kevin (Abbott) are incredibly relatable, which could make a movie about committing double suicide a bit dangerous. The screenplay from Ari Katcher and Ryan Welch is carefully written in a way that clearly demonstrates how different people deal with depression, sadness, stress, and so many other aspects in life that bring people down. Fortunately, these characters are built and developed in such a rich, enlightening manner that the ending - while shocking in its essence - works beautifully as a message that life is worth living no matter how tough it might be. This might be a confusing statement to write for people who have already seen the film, but it all has to do with the care that the viewers gain for the protagonists.
The first act puts them at equal standpoints regarding suicide, but throughout the runtime, it’s shown to the audience what happened in each of their lives. It’s the subtle conversations, the apparently insignificant jokes here and there that ultimately turn the climax so emotionally effective. The best compliment I can offer this movie is that the ending - despite being somewhat expected - clearly transmits to the public what’s right and wrong. Technically, exceptional camera work from Marshall Adams (beautiful long takes) and an amazing score from Owen Pallett elevate the overall picture. I wish the characters could have been more explored, but having in mind the short runtime, it’s truly a great piece of filmmaking.
On the Count of Three is one of those films I know I’ll undoubtedly rewatch more than just a couple of times. Boasting two phenomenal performances from Christopher Abbott and Jerrod Carmichael (also the director), the genuine chemistry between the two actors elevate a close friendship into something that makes the viewers deeply care about their fate. Tremendous praise to Ari Katcher and Ryan Welch’s screenplay, which is definitely the element that makes this movie one of the best I’ve seen this year. By writing it with extreme care and responsibility, the predictable yet impactful ending doesn’t leave a margin for doubts about what’s right or wrong. Everyone deals with the bad moments in life differently, but life is always worth living. I felt emotionally invested in the main characters to the point of wishing the film was longer so that the writers could dive deep into these protagonists. Technical shoutouts to the impressive camera work and remarkable score. In the end, I couldn’t recommend it more.
Rating: A-