Two young officers are marked for death after confiscating a small cache of money and firearms from the members of a notorious cartel during a routine traffic stop.
Jake Gyllenhaal
Brian Taylor
Michael Peña
Mike Zavala
Natalie Martinez
Gabby Zavala
Anna Kendrick
Janet Taylor
David Harbour
Van Hauser
Frank Grillo
Sarge
America Ferrera
Officer Orozco
Cody H. Carolin
Officer Davis
Shondrella Avery
Bonita
Hugh Daly
Homicide Detective 2
Gene Hong
Officer Cho
Cle Sloan
Mr. Tre
Jaime FitzSimons
Captain Reese
Everton Lawrence
Man Friend
Zone
Too Tall
Alvin Norman
Peanut
Richard Cabral
Demon
Diamonique
Wicked
Maurice Compte
Big Evil
Flakiss
La La
Manny Jimenez Jr.
Casper
Nikki Nicholle Barreras
Cindy
Kristy Wu
Sook
Candace Smith
Sharice
Corina Calderon
Jazmine
David Fernandez Jr.
Spooky
McKinley Freeman
Williams
Kevin Vance
Ice Agent
David Castañeda
Mexican Cowboy
John A. Russo
LAPD Honor Guard
Michael Monks
Homicide Detective 1
Serene Branson
Self
Ramon Camacho
Tall Cowboy
Eric Garcetti
Self
Nelly Castillo
Young Mother
Judy Echavez
Elmeida
Ruben Roberto Gomez
Drunken Party Guest
Robert Gatewood
Illegal Imigrant
Diana Noris
Maria
Ron Roggé
Pastor Simons
Director, Screenplay
David Ayer
August 11, 2013
Officers Taylor (Jake Gyllenhaal) and Zavala (Michael Peña) are LA beat cops, partnered up a long time. We watch them in action via a number of set pieces, and see that they're cynical enough to interpret the rules as necessary but still by a long, long stretch good and decent cops that will risk their lives in carrying out their duties at a moment's notice. Zavala is already blissfully happily married with a baby on the way, Taylor has just met a sweet Irish gal and over the course of the film we see their relationship blossom and grow. These two men are like the closest of brothers. It's all good to see. One day, their dedication to the job causes them to stumble in over their pay grade into a much larger drug cartel and human trafficking operation than regular beat cops would usually encounter. Homeland Security agents appear, having apparently already been monitoring the situation, and warn our boys that they've bloodied the wrong noses, and they'd better lay low.
I HATE a dumb actioner, and this ain't that. Well, it DOES contain all of the standard tropes and cliches (buddy cops, stumbling in over their heads into some drug cartel hoo-haa; the bad guys all being relentlessly bad 24/7, permanently scowling, growling and barking at one another, etc.), but done ever-so-well; reminiscent to me of how [REC] didn't contain anything new or fresh whatsoever, but did all of what it did very well indeed and it came across as fresh as a result.
It's shot mostly cinéma vérité-style, utilising a plotline in which officer Taylor is shooting a documentary piece for a student course he's taking. However, it switches between between first and third-person narrative a la Modern Family, but when it switches to third-person it retains a very documentary-like feel, so it all feels quite seamless.
It wilts a little just past the halfway mark but picks up enormously for the final third. Also, when it's violent (which isn't often), it's unexpectedly VERY violent.
I'd give it an 8/10 and recommend that it's worth at least a look. And I'm not a fan of L.A. guns/bloods/crips/gangs/urban/drugs/cops films.
Status:
Released
Original Language:
English
Budget:
$7,000,000.00
Revenue:
$55,078,146.00