7.0
London, 1953. Mr. Williams, a veteran civil servant, is an important cog within the city's bureaucracy as it struggles to rebuild in the aftermath of World War II. Buried under paperwork at the office and lonely at home, his life has long felt empty and meaningless. Then a devastating medical diagnosis forces him to take stock, and to try and grasp some fulfilment before it passes permanently beyond reach.
Bill Nighy
Williams
Aimee Lou Wood
Margaret Harris
Alex Sharp
Peter Wakeling
Tom Burke
Sutherland
Adrian Rawlins
Middleton
Oliver Chris
Hart
Hubert Burton
Rusbridger
Zoe Boyle
Mrs. McMasters
Barney Fishwick
Michael
Patsy Ferran
Fiona
Michael Cochrane
Sir James
Lia Williams
Mrs. Smith
Anant Varman
Singh
Jessica Flood
Mrs. Porter
Jamie Wilkes
Talbot
Richard Cunningham
Harvey
John Mackay
Jones
Ffion Jolly
Mrs. Button
Celeste Dodwell
Mrs. Matthews
Jonathan Keeble
Doctor Matthews
Eunice Roberts
Miss Fry
Mark James
Young Michael
Edward Wolstenholme
Colleague
Nichola McAuliffe
Mrs. Blake
Laurie Denman
Piano Man
Gleanne Purcell-Brown
Barwoman
Violeta Valverde
Striptease Artist
Michael James
Fortnums Watier
Rosie Sansom
Mrs. Johnstone
Matilda Ziegler
Prim Lady
Grant Gillespie
Lyons Head Waiter
Robin Sebastian
Distinguished Gentleman #1
David Summer
Distinguished Gentleman #2
Nicky Goldie
Landlady
Thomas Coombes
Police Constable
Grant Crookes
Commuter (uncredited)
Director
Oliver Hermanus
Original Film Writer
Akira Kurosawa
Original Film Writer
Shinobu Hashimoto
Original Film Writer
Hideo Oguni
Writer
Kazuo Ishiguro
November 5, 2022
7
Now I am not usually a particular fan of Bill Nighy but in this he is very much at the top of his game. An adaptation of Kurosawa's "Ikuru" (1952), the setting is shifted to London where Nighy is the fastidious "Mr. Williams". A local civil servant heading up the public works department of the London County Council. His small team has some new blood in the form of "Mr. Wakeling" (Alex Sharp) whose baptism in the department is to accompany three ladies (and the audience) on a revelative journey through the pillar-to-post red tape that "Williams" himself facilitates - all guaranteeing that very little actually ever gets done! Leaving early one day, we discover that this erstwhile precise and predictable individual is seriously ill. Unable and/or unwilling to divulge this information to his son, he absconds to the seaside where he encounters "Sutherland" (Tom Burke) who gives him a relaxing tour of the local hotspots before he return to London and happens upon one of his team "Miss Harris" (Aimee Lou Wood). A posh luncheon ensues and the elderly gent and his young colleague start to bond. This bond soon has - unbeknown to either of them - tongues wagging, but when she gets a new job he finds himself drawn to her. Drawn to her joie de vivre and general enthusiasm for a life he knows he will not have for too much longer. That becomes contagious as he decides to apply himself, and his team, to achieving at least one more thing in a professional capacity! It is a gently paced and evocative story that deals with that sense of re-prioritisation faced by anyone when faced with a profound change in circumstances. Nighy has a delightfully understated manner to his performance here, Wood is also effective as his increasingly valuable confidente and Oliver Hermanus manages to retain much of the charm and subtly potent impetus of the original Ishiguro story. It is beautifully scored by Emilie Levienaise-Farrouch who incorporates original and powerful themes with established classical ones. The costumes and overall aesthetic of the film complements well the classy and impressive performances that resonated in quite a thought-provoking, and multi-layered fashion as I watched it. I was engaged by this from start to finish and I really quite enjoyed it.