6.2
The great hypnotist Professor Montserrat has developed a technique for controlling the minds, and sharing the sensations, of his subjects. He and his wife Estelle test the technique on Mike Roscoe, and enjoy 'being' the younger man. But Estelle soon grows to love the power of controlling Roscoe, and the vicarious pleasures that provides. How far will she go, and can the Professor restrain her in time?
Boris Karloff
Prof. Marcus Monserrat
Catherine Lacey
Estelle Monserrat
Elizabeth Ercy
Nicole
Ian Ogilvy
Mike Roscoe
Victor Henry
Alan
Sally Adams
Laura Ladd
Meier Tzelniker
The Jewish Baker
Gerald Campion
Customer in China Shop
Susan George
Audrey Woods
Ivor Dean
Insp. Matalon
Peter Fraser
Detective George
Martin Terry
Tobacconist
Bill Barnsley
Constable in Fur Store
Maureen Booth
Dancer
Toni Daly
Vocalist
Arnold L. Miller
Taxi driver
Alf Joint
Ron, the mechanic
Director, Screenplay
Michael Reeves
Idea
John Burke
Screenplay
Tom Baker
July 13, 2020
8
Ecstasy with no consequence.
The Sorcerers is directed by Michael Reeves who also co-writes the screenplay with Tom Baker from an original idea written by John Burke. It stars Boris Karloff, Ian Ogilvy, Catherine Lacey, Victor Henry and Elizabeth Ercy. Music is by Paul Ferris and cinematography by Stanley A. Long.
When aged scientist Marcus Monserrat (Karloff) tries a new hypnosis machine on bored young man Mike Roscoe (Ogilvy), he and his wife find they can control his actions and experience what he is experiencing. Initially this breakthrough is a rewarding one, but Marcus' wife Estelle (Lacey) wants more and soon things start to get decidedly amoral.
Michael Reeves sadly died of an accidental drug overdose aged just 25, this having crafted the Cruel Britannia brilliance that was Witchfinder General. Prior to that he helmed The Sorcerers, an equally great production, a sci-fi horror fusion that pulses with a pessimistic tone. There's no great budget for the talented young director to work with, but it barely matters, in fact it benefits the film greatly, as the two elders (Karloff wonderful, Lacey magnificent) live vicariously through Roscoe's (Ogilvy fresh faced and perfectly exuding a bored man after further thrills) misadventures. But the kicker here is that it is Karloff's scientist who recognises things are going out of control, and it is he who strives to stop his obsessed wife from committing heinous acts.
Set to the backdrop of swinging sixties London, with mini skirts, Brit pop music and Norton motorbikes firm period reminders, The Sorcerers captures the zeitgeist of the time. Blending psychedelia with sci-fi and amoral horror with wistful yearnings, film comes out as an original piece of work. Thematically, as has been noted by the critics who have afforded this under seen classic some time, it says youth is wasted on the young while also planting us the film viewer in the metaphor chair. If Reeves was being caustic we will never know, sadly, but it does bear thinking about in light of how horror films, and their blood thirsty fans, would evolve come the millennium. Michael Reeves a visionary?
From Lacey bringing one of horror's forgotten monsters to life, to a no cop out ending of pure bleakness, The Sorcerers never lets up on gnawing away at the senses. An original film made by an original director, and deserving of more widespread exposure. 8/10
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00