The buttoned-down, superstitious Kay is attempting to lead a normal existence with her new boyfriend Louis. That’s until Sweetie, her rampaging, devil-may-care sister, returns home after an absence, exposing the rotten roots of their family and placing a strain on Kay and Louis’ relationship.
Geneviève Lemon
Dawn 'Sweetie'
Karen Colston
Kay
Tom Lycos
Louis
Jon Darling
Gordon
Dorothy Barry
Flo
Andre Pataczek
Clayton
Michael Lake
Bob
Jean Hadgraft
Mrs. Schneller
Paul Livingston
Teddy Schneller
Louise Fox
Cheryl
Ann Merchant
Paula
Robyn Frank
Ruth
Bronwyn Morgan
Sue
Sean Fennell
Boy clerk
Sean Callinan
Simboo
Emma Jane Fowler
Little Sweetie
Norm Galton
Notary
Warren Hensley
Man handshaker
Regina Heilmann
Girl
Charles Abbott
Meditation teacher
Diana Armer
Melony
Barbara Middleton
Clayton's mom
Irene Curtis
Mandy
Ken Porter
Lead Jackaroo
John F. Hughes
Jackaroo
Alan Close
Jackaroo
Marc Colombani
Jackaroo
Geoff Shera
Jackaroo
Andrew Traucki
Jackaroo
Norman Phillips
Nosey neighbor
Shirley Sheppard
Nosey neighbor
Ben Cochrane
Boy in tree
Kristoffer Pershouse
Boy in tree
Larry Brand
Sweetie's funeral
Cedric McLaughlan
Sweetie's funeral
Doug Ramsay
Sweetie's funeral
Bruce Currie
Man with a saw
Director, Original Story, Screenplay
Jane Campion
Screenplay
Gerard Lee
Script Editor
Billy MacKinnon
September 1, 2018
6
When it starts off with the eccentric and shy Kay (Karen Colston) falling in love with the handsome Louis (Tom Lycos), Jane Campion's 1988 film SWEETIE promises a romantic comedy. When Kay's mentally ill sister Dawn (Genevieve Lemon) drops in, the film develops in a very different direction. Some element of comedy, very black humour, remains but overall the film is a family tragedy.
The tragedy is that this disturbed young woman nicknamed "Sweetie" is simultaneously a victim of her own illness and an unwilling aggressor against her family, who feign love and acceptance but clearly would like to do without her. The strongest aspect of the film is Lemon's performance, one of the best screen portrayals of mental illness since Bergman's IN A GLASS DARKLY. Something I appreciate more on repeat viewing is that the background to this family drama is left ambiguous. That said, I would not list "Sweetie" among my favourite films: it is overall well-made and memorable but not quite at the level of effusive praise.
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00