In turn-of-the-century Mississippi, an 11-year-old boy comes of age as two mischievous adult friends talk him into sneaking the family car out for a trip to Memphis and a series of adventures.
Steve McQueen
Boon Hogganbeck
Sharon Farrell
Corrie
Ruth White
Miss Reba
Michael Constantine
Mr. Binford
Clifton James
Butch Lovemaiden
Juano Hernández
Uncle Possum
Lonny Chapman
Maury McCaslin
Will Geer
Boss
Rupert Crosse
Ned McCaslin
Mitch Vogel
Lucius
Diane Ladd
Phoebe
Ellen Geer
Sally
Allyn Ann McLerie
Alison
Charles Tyner
Edmonds
Vinnette Carroll
Aunt Callie
Diane Shalet
Hannah
Pat Randall
May Ellen
Dub Taylor
Dr. Peabody
Lindy Davis
Otis
Shug Fisher
Cousin Zack
Raymond Guth
Uncle Ike
Logan Ramsey
Walter Clapp
Jon Shank
Joe Poleymus
Gloria Calomee
Minnie
Sara Taft
Sarah
Vinnette Carroll
Aunt Callie (as Vinette Carroll)
Lou Frizzell
Doyle
John McLiam
Van Tosch
Roy Barcroft
Ed (The Judge)
R.N. Bullard
Patron
Ogden Talbot
Man with Derby
Michael Hinn
Joe Dobbs
Bert Conway
Billy Hebb
Billy Green Bush
Patron
John J. Fox
Heasley
Owen Bush
Pete Hyde
James Rawley
Paul Hart
Al Hopson
Al Boyce
Wes Fuller
Bobo
Ella Mae Brown
Mrs. Possum
Florence St. Peter
Mary Possum
Jim Goodwin
W.J. Garver
Burgess Meredith
Lucius / Narrator (voice)
Director
Mark Rydell
Novel
William Faulkner
Screenplay
Irving Ravetch
Screenplay
Harriet Frank Jr.
November 7, 2022
6
**_McQueen hams it up in Faulkner’s early 1900’s Southern misadventure_**
In northern Mississippi, 1905, the first automobile is brought to town, a yellow Winton Flyer, bought by the patriarch of the McCaslin family (Will Geer). A likable rapscallion named Boon (Steve McQueen) talks the 11 year-old McCaslin grandson (Mitch Vogel) into going to Memphis in the “borrowed” vehicle for a few days while gramps is out of town for a funeral. Rupert Crosse joins the fun trip and Sharon Farrell plays a woman of ill repute in Memphis.
Based on William Faulkner’s last novel, "The Reivers” (1969) is a picaresque tale that’s worth seeing just for the primitive automobile. Steve called the vehicle “the real star of the picture” and acquired it after filming for his personal collection. Yet the exploits of the colorful protagonists are entertaining in a fun way.
However, the tone is initially jarring, combining the air of a Disney kid’s flick from that era with adult bits, like staying overnight at a brothel and everything that goes with it. I should add that there’s no nudity except for a full-bodied painting on the wall in the boy’s bedroom, which he amusingly gazes at with fascination.
Being too adult-oriented for children and not meaty enough for adults, the movie unsurprisingly failed to connect with audiences at the box office, leading McQueen to later lament that it made him look like “the village idiot.” While it is true that he comes across as an “Aw shucks” simpleton, the character of Boon IS a man-child, an adult who still behaves like an irresponsible child. Meanwhile the kid is the real star since it’s his coming-of-age story.
On the female front, Sharon Farrell is reminiscent of Ann-Margret and was one of the most beautiful women to walk the earth in her prime. Meanwhile redhead Diane Shalet is on hand as Hannah.
If what I said interests you, check it out, but "Paper Moon" (1973) is a better choice for this kind o’ flick. It lacks the curious hammy approach of McQueen (and a couple others, to lesser degree).
The film runs 1 hour, 47 minutes, and was shot in Greenwood & Carrolton, Mississippi, with the horse racing sequences (obviously) done at Walt Disney's Golden Oak Ranch in Newhall, California, which is located in the high country just north of Hollywood and east of Santa Clarita.
GRADE: B-/C+
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00