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Lohengrin
Lohengrin

Lohengrin

NR·1972·199m

Summary

The nearest Wagner ever got to religion was worshiping himself. Using opulent music he delivers his audience to an easy, pseudo-mystical experience. In this, one of his earlier operas, he is already showing signs of the mastery of the superlative that later would blossom fully together with his egomania.

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