4.6
A gritty crime story involving a newspaper man and crooked politicians.
Russell Wade
George 'Mitch' Mitchell
Luana Walters
Marian Langdon (as Susan Walters)
Edmund MacDonald
Lawrence Dale (as Edmond MacDonald)
Robert Kent
'Dixie' Logan aka Judge Joel Conroy (as Douglas Blackley)
Vince Barnett
Charlie Gill
Nestor Paiva
Gus Miller
Charles Trowbridge
District Attorney John Forsythe
Harry Brown
Jim Forman
Ted Hecht
Al. Collins
Harry Cheshire
Mike Blake
Robert Riordan
Ed Carter
Joe Devlin
Smokey
Eddie Foster
Bingo
Frank O'Connor
Deputy Clem Sparks
Sammy Stein
Blackie
Gene Rodgers
Self
Jessie Arnold
Political Speaker (uncredited)
Stanley Blystone
Police Chief (uncredited)
Spencer Chan
Waiter (uncredited)
Davison Clark
Political Speaker (uncredited)
John Elliott
Judge (uncredited)
Herbert Evans
Man on Dais (uncredited)
John James
Newscaster (uncredited)
Donald Kerr
Short Reporter (uncredited)
Director
William Berke
Writer
Edwin V. Westrate
September 26, 2014
3
Janitor's Crushed Body Found At Bottom Of Elevator Shaft!
Shoot to Kill (AKA: Police Reporter) is directed by William Berke and written by Edwin V. Westrate. It stars Robert Kent (AKA: Douglas Blackley), Luana Walters (AKA: Susan Walters), Edmund MacDonald and Russell Wade. Music is by Darell Calker and Gene Rodgers and cinematography by Benjamin H. Kline.
When gangster Dixie Logan (Kent) is framed by crooked Assistant District Attorney Lawrence Dale (MacDonald), his wife Marian (Walters) and a reporter, George Mitchell (Wade), set about proving how corrupt Dale is.
You see the phrase poverty row B noir mixed with statements like double crosses and disloyalties, and it pricks up the ears of the film noir fan. Unfortunately Shoot to Kill has gained a small cult fan base without any surface justification. The film quite simply is a mess, oh the twists and flashback structure look impressive in the page, but the construction by the director is awful, with cast performances to match as well! This is amateur film making 101 and we even get a Keystone Cops like fist fight...
It opens with a promising car chase and crash, but that is a false dawn, from there it's a collage of weak characterisations as the director throws it all together and hopes it works. The best things in the film are an extended piano playing sequence by Gene Rodgers, some of the blaring newspaper headlines that raise a smile and the odd bit of noirish shadow play. While mercifully it only runs at just over an hour. Don't be fooled, this is no hidden treasure for the noir head to seek out, it really doesn't know what to do with the plot machinations. 3/10
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00