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West Side Story
West Side Story

7.0

West Side Story

PG-13·2021·156m

Summary

Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

Cast

Ansel Elgort

Ansel Elgort

Tony

Rachel Zegler

Rachel Zegler

María

Ariana DeBose

Ariana DeBose

Anita

David Alvarez

David Alvarez

Bernardo

Mike Faist

Mike Faist

Riff

Brian d'Arcy James

Brian d'Arcy James

Officer Krupke

Corey Stoll

Corey Stoll

Lieutenant Schrank

Rita Moreno

Rita Moreno

Valentina

Josh Rivera

Josh Rivera

Chino

Ana Isabelle

Ana Isabelle

Rosalía

Ilda Mason

Ilda Mason

Luz

iris menas

iris menas

Anybodys

Julius Anthony Rubio

Julius Anthony Rubio

Quique

Tanairi Sade Vazquez

Tanairi Sade Vazquez

Charita

David Aviles Morales

Aníbal

Sebastian Serra

Sebastian Serra

Braulio

Ricardo Zayas

Ricardo Zayas

Chago

Ricky Ubeda

Ricky Ubeda

Flaco

Andrei Chagas

Jochi

Adriel Flete

Adriel Flete

Julito

Jacob Guzman

Jacob Guzman

Junior

Kelvin Delgado

Manolo

Carlos Sánchez Falú

Carlos Sánchez Falú

Pipo

Yurel Echezarreta

Yurel Echezarreta

Sebas

David Guzman

David Guzman

Tino

Sean Harrison Jones

Action

Jess LeProtto

Jess LeProtto

A-Rab

Patrick Higgins

Patrick Higgins

Baby John

Kyle Allen

Kyle Allen

Balkan

John Michael Fiumara

Big Deal

Kevin Csolak

Kevin Csolak

Diesel

Kyle Coffman

Kyle Coffman

Ice

Ben Cook

Ben Cook

Mouthpiece

Harrison Coll

Harrison Coll

Numbers

Garett Hawe

Skink

Myles Erlick

Myles Erlick

Snowboy

Julian Elia

Julian Elia

Tiger

Carlos E. Gonzalez

Chucho

Daniel Patrick Russell

Daniel Patrick Russell

Little Moly

Yesenia Ayala

Yesenia Ayala

Clary

Gabriela M. Soto

Conchi

Juliette Feliciano Ortiz

Cuca

Jeanette Delgado

Jeanette Delgado

Ili

Maria Alexis Rodriguez

Isa

Edriz E. Rosa Pérez

Jacinta

Jennifer Florentino

Montse

Melody Martí

Pili

Gaby Diaz

Gaby Diaz

Tati

Isabella Ward

Tere

Eloise Kropp

Eloise Kropp

Jet

Paloma Garcia-Lee

Paloma Garcia-Lee

Graziella

Leigh-Ann Esty

Leigh-Ann Esty

Gussie

Lauren Leach

Karen

Brittany Pollack

Mack

Kellie Drobnick

Mamie

Skye Mattox

Skye Mattox

Maxie

Adriana Pierce

Natalie

Jonalyn Saxer

Jonalyn Saxer

Rhonda

Brianna Abruzzo

Sorella

Halli Toland

Halli Toland

Sweden

Sara Esty

Sara Esty

Tat

Talia Ryder

Talia Ryder

Tessa

Maddie Ziegler

Maddie Ziegler

Velma

Andréa Burns

Andréa Burns

Fausta

Mike Iveson

Mike Iveson

Glad Hand

Jamila Velazquez

Meche

Annelise Cepero

Annelise Cepero

Provi

Yassmin Alers

Lluvia

Jamie Harris

Jamie Harris

Rory

Curtiss Cook

Curtiss Cook

Abe

Nadia Quinn

Nadia Quinn

Streetwalker

Arianna Rosario

Puertorriqueña #1

Natalie Toro

Puertorriqueña #2

María Alejandra Castillo

Pachanga Shark Woman

Mannelly Gonzalez Abreu

Pachanga Dancer

Maya Haghighi Guliani

Pachanga Dancer

Tyler Myers

Pachanga Dancer

Jesseudi Marcelino

Pachanga Dancer

German M. Castillo

Pachanga Dancer

Ciara Calderon

Pachanga Dancer

Aubrey Mills

Pachanga Dancer

Leonardo Ro

Pachanga Dancer

Adrian Castillo

Pachanga Dancer

Luke Joseph Fuentes Duculan

Pachanga Dancer

Abigail R. Valdez

Pachanga Dancer

Navio Lopez

Pachanga Dancer

Victor Cruz

Victor Cruz

Restaurant Owner

Erik Charlston

Gym Band (Band Leader)

Clint de Ganon

Gym Band (Drums)

Dave Phillips

Gym Band (Bass)

Silvano Monasterios

Gym Band (Piano)

Ric Molina

Gym Band (Guitar)

Dan Pearson

Gym Band (Sax)

Hommy Ramos

Gym Band (Trombone)

Jose Ruiz

Gym Band (Trumpet 1)

Jumaane Smith

Gym Band (Trumpet 2)

Dave Noland

Gym Band (Reed Player)

Roland Morales

Gym Band (Percussionist 1)

Javier Diaz

Gym Band (Percussionist 2)

Chryssie Whitehead

Chryssie Whitehead

Female Social Worker

Ron Stroman

Custodian

Rene Ojeda

Elderly Man

Feiga Martinez

Elderly Woman

Mike Massimino

Mike Massimino

Cop #1

Ryan Woodle

Ryan Woodle

Cop #2

David Bean

Fabric Store Owner

Bert Michaels

Bert Michaels

Gimbels Security Guard

Joe Lanza

Joe Lanza

Detective in Morgue

Savannah Renée Rodriguez

Young Girl María

Denia Brache

Denia Brache

Old Lady María

Lesley Bilingslea

Boxing Promoter

Andy Powers

Andy Powers

Cop in Salt Shed

Reginald L. Barnes

Reginald L. Barnes

Detective #2

Patrick Noonan

Patrick Noonan

Detective #3

Jeff Ward

Jeff Ward

Grizzled Trainer

Pablo Thomas

Hardware Store Owner

Paul Niebanck

Paul Niebanck

Taxi Passenger

Ixchel Cuellar

Demonstrator

Ricky Garcia

Ricky Garcia

Demonstrator

Oscar Antonio Rodriguez

Demonstrator

José Ramón Rosario

José Ramón Rosario

Demonstrator

Doreen Montalvo

Doreen Montalvo

Demonstrator

Shade Rupe

Shade Rupe

Construction Worker

Isaias Badilla

Isaias Badilla

Pachanga Dancer

Sean Harrison Jones

Action

Samantha Seawolf

Puerto Rican (uncredited)

Crew

Director

Steven Spielberg

Lyricist, Writer

Stephen Sondheim

Original Story

William Shakespeare

Screenplay

Tony Kushner

Theatre Play

Jerome Robbins

Theatre Play, Writer

Arthur Laurents

Reviews

d

dfle3

January 13, 2022

8

West Side story: Gritty morality tale with an emotional punch. 85%

Not having seen the stage production of "West Side story" or its first film version, which I understand is regarded as a classic, I really don't have a point of comparison for this new film version of the long-running musical theatre staple. Of course, with the US being so effective at exporting its pop culture around the world, I was aware of songs and scenes from the original Hollywood film, which had positive associations for me, even though I live in Australia.

The story was inspired by a much earlier tale, which I won't mention here because...spoilers. In any case, the second film version (presumably...at least as far as US film versions go) of this story is set in a slum in New York in the 1950s (the "West Side" of the title). The setting is very nicely established, with an opening shot of some partially destroyed buildings which a sign states are being demolished to make way for the gentrification of the area. The flats in the high-rise buildings nearby have a suitably "slummy" look without the aesthetic being overdone. From out of this no man's land emerges what turns out be a gang of Anglo background, known as "The Jets". You can tell that they they are bad because they soon terrorise the neighbourhood with dancing and singing, with no one daring to stop them. It has to be said, at this point, the realisation of a musical in the modern era hasn't lost my interest. Fit young blokes dancing and singing and clicking their fingers in time in the streets of a big city doesn't seem all that ridiculous now.

We soon learn that The Jets have a rival group which they want to remove from 'their turf', a gang known as "The Sharks", which are of Puerto Rican ethnicity. The basis of The Jets' animosity to The Sharks is basically an issue of race (and that is also the basis of the police department's animosity towards The Sharks as well). The Sharks do not 'belong' in the US and they should 'go back to where they came from'. The first encounter we see between these two rival gangs is a violent one and it's pretty clear that things will escalate from here between them.

If you're thinking that nothing thrown into this tinderbox could make it any more flammable, well...enter Tony (played by Ansel Elgort) and Maria (Rachel Zegler). Tony is the co-founder of The Jets but after a stint in prison for a shocking beating he gave to an Eyptian man, he is trying to be a better person, now holding down a steady job and no longer involved in his gang's activities. Maria is the sister of Bernardo (David Alvarez), a man who is trying to fight his way out of the slum (literally). Bernardo has a chip on his shoulder about the Anglos, who make life difficult for his community. He plays the father-figure at the flat that he shares with his girlfriend and Maria. The prospect of Maria dating a "gringo" is unacceptable to him, as we later find out when...Tony and Maria meet at a dance event and...instantly fall in love. He is also the leader of The Sharks.

That moment when Tony and Maria fall in love at first sight is very sweetly done. Maria, as played by Zegler, seems like an old-fashioned Disney princess at first, being very timid but then being quite forward...perhaps like a (modern day?) Disney princess? (Since I'm not well-versed in Disney films about princesses, I'll have to defer to the judgement of people more informed than me on this subject.) The lyric from the song "Hurts so good" by John Cougar comes to mind about her: "you ain't as green as you are young". Zegler/Maria is very attractive in a winsome way. Director Steven Spielberg has really captured a winning performance from her. It occurred to me after writing down my initial thoughts on this film that Zegler would be a worthy nominee for "Best actress" at awards time. Even though I haven't really seen many 'quality' films this year, I think I know a quality performance when I see one and I don't think that a best actress award for her would be undeserved.

If you think that Maria couldn't be any more adorable, well, you should hear her sing. She has a lovely voice, in my view. To me, she's the standout voice of the musical. Elgort tends towards falsetto at times. On the subject of the music, I'd say that I'm pretty sure that if you just wanted to listen to the musical on CD or whatever, then there would be better versions of that from previous productions of this story, whether on stage or screen. By that I mean perhaps the music elsewhere is bolder, brassier or arranged more pleasingly (to my ears, at least) and that would apply to the vocal performances as well. However, since I haven't heard other versions, I can't recommend one for you.

It also later occurred to me how similar Tony and Bernardo are (which I've retrospectively alluded to in my earlier comments about how both of them plan to get out of the slum). Another point of comparison with Bernardo would be The Jets' new leader, "Riff" (Mike Faist). They both mirror each other as far as attitudes to "the other" goes.

In any case, just when Tony thought he was out, Riff pulls him back in again, as far as gang activities go.

I liked this film and had moments of recognition with it, with regards to clicking fingers and many songs. One event which did jar with me was how Maria reacted to Tony when she heard some fateful news about him. It just didn't ring true to me. Maybe with a greater passage of time it could have worked. Later, when the police officer goes over the whole timeline, the short duration was a shock too.

The film was on track for a score of 80% from me but since the drama near the end of the film elicited emotion from me, I added another 5% to my score to reflect that.

Random notes:

*Is the ending different to previous versions of this story? If it is, you can either read it as a return to sanity as far as character motivation goes or as a Steven Spielberg tendency.

*There is some realism to the violence, so not suitable for very young children, I don't think.

*I couldn't quite tell if there was some strong swearing at times or if it was toned down.

*Curios: 5c for a Milky Way chocolate bar, $15 for a fashionable store scarf, I think.

Media

Status:

Released

Original Language:

English

Budget:

$100,000,000.00

Revenue:

$76,016,171.00

Keywords

new york city
dancing
dance
street gang
love at first sight
forbidden love
musical
based on play or musical
interracial relationship
racism
nostalgic
young love
broadway musical
1950s
romeo & juliet
latino
romantic
bold
tragic