An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
Charlize Theron
Aileen Wuornos
Christina Ricci
Selby Wall
Bruce Dern
Thomas
Lee Tergesen
Vincent Corey
Annie Corley
Donna
Pruitt Taylor Vince
Gene / Stuttering "John"
Marco St. John
Evan / Undercover "John"
Marc Macaulay
Will / Daddy "John"
Scott Wilson
Horton / Last "John"
Rus Blackwell
Cop
Tim Ware
Chuck
Stephan Jones
Lawyer
Brett Rice
Charles
Kaitlin Riley
Teenage Aileen
Cree Ivey
7-Year-Old Aileen
Catherine Mangan
Justy
Magdalena Manville
Bar Lap Girl
T. Robert Pigott
Bartender
Romonda Shaver
Employment Agent
Glenn R. Wilder
Restaurant Manager
Elaine Stebbins
Wife at Accident
Kane Hodder
Undercover Cop
Christian Stokes
Undercover Cop
Lyllian Barcaski
Bar Girl
Nonalee Davis
Bar Girl
Bubba Baker
Cubby
Al
Himself
Cannonball
Himself
Chad Vaccarino
Trevor
Gene R. Stephenson
Judge
Jesse Stern
Skate Rink Attendant
Billy Boylan
Police Chief
Jim R. Coleman
Newscaster
Chandra Leigh
Cute Teenage Attendant
Lori McDonald
Attendant
Adam Brown
Attendant
Ed Donovan
State Prison Guard (uncredited)
Director, Screenplay
Patty Jenkins
March 29, 2020
7
We can be as different as we wanna be, but you can't kill people!
Monster is the bleak story of Aileen Wuornos, a prostitute and one of America's most notorious female serial killers. Based around facts of her life and death, the film primarily focuses on the last year of her freedom. Where after entering into a strange lesbian relationship with Selby Wall, Wuornos, fed up of being a abused by men, starts killing those calling on her services.
Sad and potent is Patty Jenkins' first full length directorial effort. Though perhaps a touch guilty of pandering to Wuornos' own self created "monster" image, the film none the less has the right blend of sympathy and revulsion to make it a fascinating, if uneasy, experience. Former model Charlize Theron goes through a major transformation to become Wuornos, so much so she's practically unrecognisable. Bulked up in weight and with beaten down make up withering her face, Theron goes on to give a towering performance as the troubled, on the edge killer.
Without any thrills or hints of histrionics, Theron is uncompromising throughout the picture. To garner empathy with such an abrasive character is quite a trick, then to switch to monstrosity with conviction seconds later? Well that's almost magical in itself. Theron is backed up well by Christina Ricci as Selby. Selby Wall, an immature young lady oblivious to the dark path she is walking down, is given a great portrayal from Ricci. In light of the powerhouse show from Theron, it's much credit to Ricci that she enhances the film with her own delicate characteristics. Helping to emphasise the strangeness of the union in the process.
It's a tough film for sure, and come the final credits one is left with a feeling of sympathy towards Wuornos and the life she lived. If that be right or wrong is of course up to the individual viewer. Or if that was even Jenkins' intention is probably up for debate. But Monster exists and survives as a bitter character study of a desperate woman, which through the medium of cinema, makes us the viewers privy to something very edgy indeed. 7.5/10
Status:
Released
Original Language:
English
Budget:
$8,000,000.00
Revenue:
$60,400,000.00