7.6
Risking his life, Luke ventures to Rome to visit Paul -- the apostle who's bound in chains and held captive in Nero's darkest and bleakest prison cell. Haunted by the shadows of his past misdeeds, Paul wonders if he's been forgotten as he awaits his grisly execution. Before Paul's death, Luke resolves to write another book that details the birth of what will come to be known as the church.
Jim Caviezel
Luke
James Faulkner
Paul
Olivier Martinez
Mauritius
Joanne Whalley
Priscilla
John Lynch
Aquila
Yorgos Karamihos
Saul of Tarsus
Antonia Campbell-Hughes
Irenica
Alessandro Sperduti
Cassius
Alexandra Vino
Octavia
Manuel Cauchi
Ananias
Noah Huntley
Publius
Kenneth Spiteri
Eubulus
Anthony Edridge
Severus
André Agius
Stephen
John-Paul Pace
Christian Man 2
Erica Muscat
Woman 2
Jacob Daniel Groth
Young Man
Henry Holland
Young Saul of Tarsus
Nina Sultana
Little Girl
Natalie Rossignaud
Young Girl
Iskander El Hag Aisa
Christian Man 4
Daryl Vassallo
Tarquin
Vladislav Ilich
Judas
Christopher Dingli
Roman Doctor
Mario Opinato
Balbus
Anthony Ellul
Jewish Doctor
Stephen Buhagiar
Jewish Man 1
Mikhail Basmadjian
Jewish Man 2
Husam Chadat
Gamaliel
Edward Mercieca
High Priest
Philip Mizzi
Elder
Graham Charles
Roman Soldier
Joe Azzopardi
Roman Thug
Nora Jolie Eckermann
Caelia
Sarah Michelle Attard
Beaten Woman
Stephen Caruana
Beaten Man
Nikovich Sammut
Market Grower / Roman by Burning Dummy
Director, Writer
Andrew Hyatt
Writer
Terence Berden
September 9, 2022
1
Can you be said to lead by example when the example is spurious? Paul, Apostle of Christ is the early Christianity 'success story' of the conversion of Mauritius Gallas (Olivier Martinez), Commander of the Third Legion of Rome, and Prefect of the Mamertine Prison.
Actually, I’m not even sure Mauritius officially converted; he certainly formed a better opinion of Christians after Saint Luke cured his daughter of an indeterminate disease. I guess the filmmakers deserve some credit for not presenting this as a miracle (Luke saves the little girl’s life through his medical knowledge), but it really makes no difference anyway because there was no sick child, no Mauritius Gallas, no Third Legion, no nothing.
This is a kind of artistic license that goes well beyond the fact that everyone in Nero’s Rome speaks fluent English (with a French accent, in Martinez’s case). Mauritius’s conversion (if indeed he converted) doesn’t carry as much weight as, say, that of Constantine, and not because the latter was an Emperor and the former a humble prefect; the problem is that Mauritius’s change of heart doesn’t appears to take place, not as a sign of personal growth, but simply because it’s in the script.
I mean, if you’re just going to make shit up, why stop at one conversion? Why not go ahead and make it so that the entire Third Legion accepted Jesus Christ into their hearts as their Lord and Savior?
Luke is only slightly less fictional than Mauritius, and equally problematic. A "Luke," to whom tradition assigns authorship of the Gospel of Luke and the Acts of the Apostles, was mentioned by Paul in three of his epistles.
The movie depicts Luke (Jim Caviezel) visiting Paul (James Faulkner) in the rather well-lit "darkness" of his cell, where the two commit the Acts to paper. Why? According to Paul, "[Luke] believes people should know the certainties of my life."
This turns out to be quite an unwittingly ironical statement, considering that a) though the Gospel of Luke and the Acts of the Apostles are attributed to the same author, the true identity of this author remains unknown, and b) there are many contradictions between the Acts and the authentic Pauline letters; thus, in the odd chance Luke did in fact pen these books, it’d be safe to say that he and Paul weren’t as simpatico as this movie would have us believe (the aforementioned irony, by the way, is completely lost on the filmmakers, according to whom "Paul’s life was well documented by Luke").