Summary
Ana is confronted with body and desire at three key moments of her life. As a young girl, she brings her dead grandpa back to life. In her puberty, she discovers the power of decay and sexuality. Finally, she wrestles with loss and loneliness when she returns to her parental home, now derelict.
Cast
Cassandra Forêt
Young Ana
Charlotte Eugène Guibeaud
Teenage Ana
Marie Bos
Adult Ana
Biancamaria D'Amato
The Mother
Harry Cleven
The Taxi Driver
Jean-Michel Vovk
The Father
Bernard Marbaix
The Dead Grandfather
Thomas Bonzani
Nono
François Cognard
The Silhouette
Delphine Brual
Graziella
Jean Secq
The Grocer
Béatrice Butler
The Grocer
Charles Forzani
The Farmer / The Man with the Red Car
Benjamin Guyot
Garbage Collector
Yves Fostier
Scavenger
Francesco Italiano
The Embalmer
Henriette Raimondé
The Old Lady Behind the Curtain
Christophe da Silva
Biker
André Francol
Biker
Nicolas Léandri
Biker
Damien Gossa
Biker
Arnaud Mariani
Biker
Laurent Lafont
Biker
Frédéric Miniutti
Biker
Gordon Butler
Biker
Elia Zanzo
Biker
Cyril Dellerba
Biker
Jérôme Konté Deloste
Biker
Stéphane Peragnoli
Biker
William Boutaleb
Biker
Maxime Lefort
Biker
Reda Oualla
Biker
Florian Grolier
Biker
Jérôme Herrera
Biker
Mathieu Ambid
Biker
Juan Cristobal Fontes Salinas
Biker / Passenger on the Train
Daniel Bruylandt
Biker / Passenger on the Train
Sylvain Giraud
Passenger on the Train
Stéphane Collige
Passenger on the Train
Georgy Volkaerts
Passenger on the Train
Guillaume Renoir
Passenger on the Train
Colin Lévêque
Passenger on the Train
Joël Godfroid
Passenger on the Train
Crew
Director, Writer
Hélène Cattet
Director, Writer
Bruno Forzani
Reviews
RalphRahal
December 14, 2024
6
Amer isn’t a movie for everyone, but if you’re into Dario Argento or giallo films, there’s a lot to like about it.
Amer is more about the visuals and mood than the story, and while some parts are really interesting, it doesn’t always keep your attention the whole time.
What stood out to me was how much effort went into making it feel like a classic giallo. The colors are super vibrant, and the editing is sharp and sometimes unsettling, with lots of close-ups and weird, creepy moments. Even when the story felt slow, the way it looked and sounded kept me watching. The soundtrack is awesome too, with music from legends like Ennio Morricone and Stelvio Cipriani, which makes it feel even more like a proper tribute to the genre.
It’s not the kind of movie you watch for a strong plot. It’s more about creating a certain feeling and exploring themes like sex and sensuality. If you’re into this style of film, it’s worth checking out.
Media
Recommendations
Life Is a Miracle
Four Nights of a Dreamer
The Strange Color of Your Body's Tears
Double King
18 Years Old and Rising
The Bedroom Window
The Stolen Children
The Nameless Days
Percoco - Il primo mostro d’Italia
Devil's Weekend
Twin Flower
Dream Demon
Girl Slaves of Morgana Le Fay
The Painting
Ginger Snaps 2: Unleashed
Ecce Bombo
Cat People
Ravenous
Inside
