8.5
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Clint Eastwood
Blondie
Eli Wallach
Tuco Ramirez
Lee Van Cleef
Sentenza / Angel Eyes
Aldo Giuffrè
Alcoholic Union Captain
Luigi Pistilli
Father Pablo Ramirez
Rada Rassimov
Maria
Enzo Petito
Storekeeper
Claudio Scarchilli
Tuco Henchman
Antonio Casale
Bill Carson / Jackson
Livio Lorenzon
Baker
Sandro Scarchilli
Tuco Henchman
Benito Stefanelli
Member of Angel Eyes' Gang
Angelo Novi
Monk
Antonio Casas
Stevens
Aldo Sambrell
Member of Angel Eyes' Gang
Al Mulock
One-Armed Bounty Hunter
Sergio Mendizábal
Blonde Bounty Hunter
Antonio Molino Rojo
Captain Harper
Lorenzo Robledo
Clem
Mario Brega
Corporal Wallace
Chelo Alonso
Stevens' Wife (uncredited)
Fortunato Arena
1st Sombrero Onlooker at Tuco's 1st Hanging (uncredited)
Román Ariznavarreta
Bounty Hunter (uncredited)
Silvana Bacci
Mexican Woman with Blondie (uncredited)
Joseph Bradley
Old Soldier (uncredited)
Frank Braña
Bounty Hunter #2 (uncredited)
Amerigo Castrighella
2nd Sombrero Onlooker at Tuco's 1st Hanging (uncredited)
Saturno Cerra
Bounty Hunter (uncredited)
William Conroy
Confederate Soldier (uncredited)
Axel Darna
Dying Confederate Soldier (uncredited)
Tony Di Mitri
Deputy (uncredited)
Gianni Di Segni
Deputy at 1st Hanging (uncredited)
Alberigo Donadeo
Spectator Before Hanging (uncredited)
Attilio Dottesio
3rd Sombrero Onlooker at Tuco's 1st Hanging (uncredited)
Luis Fernández de Eribe
Soldier Coat (uncredited)
Veriano Ginesi
Bald Onlooker at Tuco's 1st Hanging (uncredited)
Jesús Guzmán
Pardue the Hotel Owner (uncredited)
Víctor Israel
Sergeant at Confederate Fort (uncredited)
Nazzareno Natale
Mexican Bounty Hunter (uncredited)
Ricardo Palacios
Barista a Socorro (uncredited)
Antonio Palombi
Old Sergeant (uncredited)
Romano Puppo
Member of Angel Eyes' Gang (uncredited)
Antoñito Ruiz
Stevens' Youngest Son (uncredited)
Aysanoa Runachagua
Pistolero Recruited by Tuco in the Cave (uncredited)
Enrique Santiago
Mexican Bounty Hunter (uncredited)
José Terrón
Thomas 'Shorty' Larson (uncredited)
Franco Tocci
Union Soldier with Cigar (uncredited)
Antonio Montoya
Mexican Bounty Hunter (uncredited)
Director, Screenplay, Story
Sergio Leone
Dialogue
Mickey Knox
Screenplay
Agenore Incrocci
Screenplay
Furio Scarpelli
Screenplay, Story
Luciano Vincenzoni
May 8, 2016
9
I'm looking for the owner of that horse. He's tall, blonde, he smokes a cigar, and he's a pig!
It's debatable of course, since there are legions of fans of the first two films in Sergio Leone's Dollars Trology, but with each film there not only came a longer running time, but also a rise in quality - debatable of course!
Here for the third and final part of the trilogy, Leone adds Eli Wallach to the established pairing of Lee Van Cleef and Clint Eastwood, and brings all his tools of the trade to the party. Plot is slight, the three principals are on a collision course to find some buried gold, with each man having varying degrees of scuzziness, so how will it pan out?
Such is the genius of the narrative, it's a fascinating journey to undertake. The characterisations are ripe and considered, the various traits and peccadilloes beautifully enhanced, and with Leone being Leone, there's no shortage of cruelty and humour. He also brings his style, the close ups, long shots and some outstanding framing of characters in various situations.
The story encompasses The Civil War, which pitches our leads into "The Battle of Branston Bridge", where here we get to see just how great Leone was at constructing full on battle sequences. It's exciting, thrilling and literally dynamite, whilst Aldo Giuffrè as Captain Clinton turns in some memorable support.
The Euro locations pass muster as the Wild West, superbly photographed by Tonino Delli Colli, and then of course there is Ennio Morricone's musical compositions. It's a score that has become as iconic as Eastwood's Man With No Name, a part of pop culture for ever more. It mocks the characters at times, energises them at others, whilst always us the audience are aurally gripped.
There's obviously some daft coincidences, this is after all pasta world, and the near three hour run time could be construed as indulgent. But here's the thing, those who love The Good, The Bad and the Ugly could quite easily stand for another hour of Leone's classic. I mean, more barbed dialogue, brutal violence and fun! Great, surely!
From the sublime arcade game like opening credit sequences, to the legendary cemetery stand-off at the finale, this is a Western deserving of the high standing it is held. 9/10