6.4
Working as an assistant on a long cattle drive, the young Ben Mockridge contends between his dream of being a cowboy and the harsh truth of the Old West.
Gary Grimes
Ben Mockridge
Billy Green Bush
Frank Culpepper
Luke Askew
Luke
Bo Hopkins
Dixie Brick
Geoffrey Lewis
Russ
Wayne Sutherlin
Missoula
John McLiam
Thorton Pierce
Matt Clark
Pete
Raymond Guth
Cook
Anthony James
Nathaniel
Charles Martin Smith
Tim Slater (as Charlie Martin Smith)
Larry Finley
Mr. Slater
Bob Morgan
Old John
Jan Burrell
Mrs. Mockridge
Hal Needham
Burgess
Jerry Gatlin
Wallop
Bob Orrison
Rutter
Walter Scott
Royal Dano
Cattle Rustler
Paul Harper
Trapper
José Chávez
Cantina Bartender (as Jose Chavez)
Arthur Malet
Doctor
Ted Gehring
Tascosa Bartender
Gregory Sierra
One-Eyed Horsethief
John Pearce
Spectator
Dennis Fimple
Wounded Man in Bar
William O'Connell
Bartender in Piercetown
Lu Shoemaker
Former Virgin
Director, Story
Dick Richards
Screenplay
Eric Bercovici
Screenplay
Gregory Prentiss
April 8, 2015
9
When Little Mary Became A Man.
The Culpepper Cattle Co. is a splinter of the Western genre that was tagged as revisionist. Often the makers of such Oaters went for a more grizzled look at the West, even demythologising the Hollywood Westerns that had proved so popular for decades. Directed by Dick Richards, The Culpepper Cattle Co. is one such picture.
Young Ben Mockridge (Gary Grimes) wants to be a cowboy, to work on the drives and hone his gun play skills. When trail drive boss Frank Culpepper (Billy Green Bush) is in town, Ben begs him for work and is thrilled to be hired as the cook's Little Mary. What he isn't so thrilled about is actually what it's really like out there on a drive...
And so it comes to pass, young Ben is at the bottom of the cowboy ladder and Richards and his writing team ensure there is no glamour to be found. The drive is beset with thievery and rustling, killings, stampedes, inner fighting and very hard work for very little pay. The men on the trail all look the same, they dress the same, they smell the same, they are all worked hard and understand the same weary banter.
What camaraderie there is is kept to a minimum, they are a team in a working sense, but their loyalty only comes to the fore when they are tasked with fighting and killing' enemies. The bars are not all bright and sparkly, with a well suited man playing a piano, no these are dingy holes with dirty glasses. No bordello babes either, just a hapless lassie loaned out for services by a barkeep who has in his own mind some tenuous right to have her in his keep.
This is purposely downbeat, with the photography by Lawrence Edward Williams and Ralph Woolsey emphasising this fact by stripping back the colours for authenticity. While Jerry Goldsmith and Ralph Woolsey's musical score is deftly restrained, perfectly so. The story moves to its final conclusion, a confrontation that excites and depresses equally so, for even in the whirl of bullets and thundering hooves, the realisation dawns on Ben, and us, that nothing changes the life of the cowboys out there on the drives. It's live, work and die. Cowboyin is something you do when you can't do nothing else - Indeed! 9/10
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00