8.4
A portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of over five hundred unforgettable scores.
Ennio Morricone
Self
Silvano Agosti
Self
Alessandro Alessandroni
Self
Fausto Ancillai
Self
Dario Argento
Self
Joan Baez
Self
Sergio Bassetti
Self
Bruno Battisti D'Amario
Self
Marco Bellocchio
Self
Bernardo Bertolucci
Self
Marco Biscarini
Self
Walter Branchi
Self
Gilda Buttà
Self
Caterina Caselli
Self
Enzo G. Castellari
Self
Liliana Cavani
Self
Marina Cicogna
Self
Furio Colombo
Self
Mychael Danna
Self
Brian De Palma
Self
Alessandro De Rosa
Self
Edda Dell'Orso
Self
Sergio Donati
Self
Clint Eastwood
Self
Roberto Faenza
Self
Eva Fischer
Self
Daniele Furlati
Self
Marco Tullio Giordana
Self
James Hetfield
Self
Phil Joanou
Self
Roland Joffé
Self
Quincy Jones
Self
Wong Kar-Wai
Self
Barry Levinson
Self
Andrea Leone
Self
Raffaella Leone
Self
Claudio Mancini
Self
Miranda Martino
Self
Franco Migliacci
Self
Terrence Malick
Self (voice)
Pat Metheny
Self
Giuliano Montaldo
Self
Gianni Morandi
Self
Antonello Neri
Self
Enzo Ocone
Self
Gino Paoli
Self
Antonio Pappano
Self
Mike Patton
Self
Goffredo Petrassi
Self
Enrico Pieranunzi
Self
Franco Piersanti
Self
Nicola Piovani
Self
Tonino Poce
Self
Boris Porena
Self
David Puttnam
Self
Dulce Pontes
Self
Paul Simonon
Self
Sergio Sollima
Self
Bruce Springsteen
Self
Oliver Stone
Self
Quentin Tarantino
Self
Paolo Taviani
Self
Vittorio Taviani
Self
Giuseppe Tornatore
Self
Fabio Venturi
Self
Carlo Verdone
Self
Edoardo Vianello
Self
Lina Wertmüller
Self
John Williams
Self
Bruno Zambrini
Self
Ettore Zeppegno
Self
Hans Zimmer
Self
Zucchero
Self
Director, Screenplay, Story
Giuseppe Tornatore
May 2, 2022
7
This is a must see for fans of great cinema music. Perhaps alongside John Williams and John Barry, the eponymous maestro has scored in an unique and innovative way, a great many films since the 1960s and this film tracks how he rose from a classical music training to an (eventual) Oscar winner. It does suffer from the perennial problem of films like this, we see (and hear) too little of his marvellous works - especially my own favourite "Ecstasy of Gold" - but the narrative offers a quickly paced series of contributions from those well known, and those less so. It is astonishing just how many films he did provide the music for, some of it truly memorable and some of it truly dreadful - but here we see a man who never shied away from pushing the boundaries. His creative use of vocals, even of a typewriter to create his sounds demonstrates well his almost boundless imagination. Though at times a little dry, this documentary lays that skill and passion engagingly before us. Bertolucci, Eastwood and Joffé all contribute in a fashion that avoids the adulatory, and makes this an enjoyable chronology not just of Morricone himself, but of world cinema too.