Film Snail

The Climax
The Climax

5.4

The Climax

NR·1944·86m

Summary

Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.

Crew

Director

George Waggner

Adaptation, Screenplay

Curt Siodmak

Screenplay

Lynn Starling

Theatre Play

Edward Locke

Reviews

t

talisencrw

April 17, 2016

8

A very enjoyable romp from the 40's about unrequited love driving a man to obsession, selfishness and murder, and you really can't go wrong with Boris Karloff, particularly from this vintage. This is especially enjoyable if you're a fan of opera at all. New York City-born director Waggner, most famous for 'The Wolf Man', is decent at this sort of thing, though he got relegated the last phase of his career to TV-work (such as the 60's 'Batman').

Karloff's first colour film (and in Technicolor, no doubt), it's also famous for using the same sets as 'The Phantom of the Opera', made the previous year--the oldest surviving movie set. I came across this in an excellent 5-film pack of Karloff-starred thrillers from the late 30's and early 40's. Both the boxed set and this individual film are highly recommended to fans of the star's work.

Media

Status:

Released

Original Language:

English

Budget:

$0.00

Revenue:

$0.00

Keywords

opera
obsession
based on play or musical
singer
murder
mad doctor
singing
opera house
hypnotism