A Miami hotel owner finds danger when he becomes romantically involved with the wife of a deposed general from the Dominican Republic where he fought many years back.
Peter Weller
George Moran
Kelly McGillis
Mary DeBoya
Charles Durning
Jiggs Scully
Frederic Forrest
Nolen Tyner
Tomas Milian
Andres DeBoya
Juan Fernández
Rafi
Kelly Jo Minter
Loret
Phil Leeds
Jerry Shea
Tony Bolano
Corky
Adrianne Sachs
Anita DeBoya
Roberto Escobar
Mario Prado
Millie Ruperto
Lucie Palma
Vivian Addison
Maid Lula
Brooke Becker
Philly
Fara Schiller
Marilyn
Guido Inguanzo
Cab Driver
Pedro Telémaco
Clerk
Carlos Ruiz
Waiter
Rosita Sustache
Older Woman
Teresa Maria Rojas
Altagracia
Victor Rivers
Emelio Mendoza
Alexis Arguello
Pepe Mendoza
Michael Weller
Policeman
Bilal H. El-Amin
Doorman
Pedro J. Pelaez
Bell Boy
Joseph Parisi
Bartender
Mary-Robin Redd
Felicia
Reni Santoni
Narrator (voice) (uncredited)
Sherrie Rose
Waitress (uncredited)
Anthony Correa
Ralph (uncredited)
Director
Abel Ferrara
Novel, Screenplay
Elmore Leonard
Screenplay
James Borrelli
January 14, 2023
10
Yeah, I know it's a flawed film, I mean, I caught it one night, LATE at night, on cable TV when I was a kid. HBO to be specific and at an hour reserved for only failed and low quality films.
In other words, I found it at a place where movies go to die. The equivalent of the bargain box at a toy store.
But, I liked it. It wasn't the usual thriller and that's saying a lot given that thrillers, like action movies, all have relatively the same plot. They tend to be like the Harley Davidson store crowd as in they all dress the same and claim they are rebels.
Cat Chaser was something different. The plot stood out. Peter Weller did as best a job he could. The cast did as best a job as they could.
It was just, the director didn't really know what to do with the script, which was, I learned, (thank you IMDB) based on an Elmore Leonard novel...and that sort of says it all.
The writer, Elmore Leonard, isn't exactly a literary great. He has an irritating vernacular. BUT, he also has a talent for creating unique characters and unique settings and situations and stringing them all together into a coherent plot.
Leonard is a pulp writer, but he was a pulp writer that was original in his approach to just about everything and his stories are a pleasure to read.
And, when, like this one, they are adapted to the big screen, that uniqueness carries over. Even in a bad film, as this one was--albeit a bad film with good acting--it becomes a story that you haven't really encountered before and you won't encounter again.
So give it a watch, it's Elmore Leonard, you aren't seeing a great film, but you are going to see a story you haven't encountered before, and to me, that alone is worth 10 out of 10 stars.
Don't rate it on it's cinematic prowess, watch it for the plot, it's new, it's original, and, even if its badly done, we need a lot more of that, especially now, when almost everything we see is exactly like almost everything else we are seeing.
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00