In 1945, the Carlions assemble at an English country house for a family gathering. During the event, they must determine who is to take over the family brewing empire, since the present head of the business, Sir Frederick, is getting old. The results of the 1945 general election causes a major stir, and some angry farmers occupy a barn.
Leo McKern
Sir Frederick Carlion
James Fox
Philip Carlion
Wendy Hiller
Daisy - Lady Carlion
Penelope Wilton
Virginia Carlion
Jill Bennett
Alice Carlion
Deborah Norton
Faith
Joan Greenwood
Dollie van der Biek
Alan Webb
Sir Piers Blair
Tim Seely
Andrew Oliphant - Father
Frederick Alexander
Andrew Oliphant - Son
Frederick Treves
Matthew Harcourt
Eliza Buckingham
Margaret Harcourt
Edward Rawle-Hicks
Teddie Harcourt
Tamzin Neville
Elizabeth Harcourt
Richard Durden
Guy Wheldon
Aubone Tennant
Nigel Wheldon
Julian Wadham
Robert Carlion
Suzanne Burden
Lindsey Carlion
Bryan Coleman
Edward Carlion
David Neville
James Blair
Madoline Thomas
Nanny
Frank Mills
Ashford
Malcolm Storry
The Inspector
Ralph Nossek
Mr Joseph
Donald Eccles
The Dean
Richard Vanstone
Hop Picker
Director
Richard Eyre
Writer
Trevor Griffiths
November 17, 2024
7
With WWII won, the "Carlion" family gather at their stately home in the run up to the British General Election. These are wealthy and privileged people who run a brewing business and it's their head "Sir Frederick" (Leo McKern) who is now looking to pass on the mantle. As with many family gatherings, the atmosphere quickly becomes quite toxic only here it's not just the mix of personalities that sparks, but attitudes. Politics in the kingdom is changing, attitudes are changing and the days of gentry and serf might well be on the way out as it becomes clear that Clement Attlee's socialist government is going to be running the country with quite a substantial mandate. McKern holds this together well providing a mix of stoicism and belligerence as his character has to deal with societal changes as well as those affecting his own role in his business and his family. Dame Wendy Hiller and Penelope Wilton also contribute well helping to illustrate the changing nature of the role of women in this brave new world, too. There are also references to the hitherto under-the-heal labouring classes who finally take their pitchforks in hand and gently (they are British, after all) make their presence felt. It's a little bit verbose at times, and Richard Eyre doesn't always manage to sustain the pace leading to maybe a few too many troughs amidst the undoubted peaks provided by a cast who present us with a familial equivalent of Janus - looking both behind them and to the front, left and then right, all at the same time unsure how to jump. Perhaps prophetic of a period of national "realignment" under Margaret Thatcher's newly elected government that was about to start as this was made?
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00