7.3
Nanni Moretti takes another look at the ebbs and flows of life in April 1996, as he becomes a father for the first time and seems unable to focus on his documentary about the upcoming national elections.
Nanni Moretti
Self
Silvio Orlando
Self
Silvia Nono
Self
Pietro Moretti
Self
Agata Apicella Moretti
Self
Nuria Schoenberg
Self
Silvia Bonucci
Self
Quentin de Fouchécour
Self
Renato De Maria
Self
Daniele Luchetti
Self
Nicola Piepoli
Self
Corrado Stajano
Self
Angelo Barbagallo
Self (uncredited)
Andrea Molaioli
Self (uncredited)
Alessandro Pesci
Self (uncredited)
Alessandro Angelini
Self (uncredited)
Director, Writer
Nanni Moretti
March 31, 2024
7
I did think it a little unkind that Silvio Berlusconi didn't get a credit here. He features enough - on television or by reputation! It's against the backdrop of the 1996 Italian elections that Nanni Moretti attempts to focus on two significant events in his life. Marginally more important is the birth of his first child, but that's only slightly ahead of his planned documentary about the aforementioned elections. Now this documentary wasn't his first choice. He was initially intent on making a musical, or some sort of revue, but now set on his new course he suffers from a director's block. The crew are poised but his brain is stalled. He's completely perplexed as he must juggle his priorities. He's man of the political left so his documentary planning is also fuelling his disdain for the future of politics in his country... Bluntly, he's between a rock and a very hard place. It's quirky and comical this film whilst taking a few free swipes at people generally out of their depth whether that be about fatherhood, politics or filmmaking. The last five minutes are maybe just a little predictably surreal and Moretti does rather monopolise the screen, but the jolly score and entertaining dialogue make for an enjoyable, if admittedly forgettable, eighty minutes of frustrated mayhem.
Status:
Released
Original Language:
Italian
Budget:
$0.00
Revenue:
$0.00