Infatuated with the idea of becoming rich, college student Jonathan Corliss secretly dates Dorothy Carlsson to gain the approval of her wealthy father. When Dorothy tells Jonathan that she is pregnant and that her father will deny her inheritance if he finds out, Jonathan murders her, but he stages her death as a suicide. As Jonathan works his way onto Mr. Carlsson's payroll, Dorothy's twin sister, Ellen, investigates the apparent suicide.
Matt Dillon
Jonathan Corliss
Sean Young
Ellen / Dorothy Carlsson
Max von Sydow
Thor Carlsson
Diane Ladd
Mrs. Corliss
James Russo
Dan Corelli
Adam Horovitz
Jay Faraday
Martha Gehman
Patricia Farren
Ben Browder
Tommy Roussell
Briony Glassco
Waitress
Galaxy Craze
Susie
Joie Lee
Cathy
Jim Fyfe
Terry Dieter
Frederick Koehler
Mickey
Elżbieta Czyżewska
Landlady
Shane Rimmer
Commissioner Malley
Leslie Lyles
Mrs. Roussell
Rory Cochrane
Chico
James Bonfanti
Young Jonathan
Sarah Keller
Lecturer
Lia Chang
Shoe Saleslady
Yvette Edelhart
Screaming Lady
Lachele Carl
Reporter
Brett Barth
Dave
Kristy Graves
Rose
Billie Neal
Nurse
P. Jay Sidney
Bellman
Sam Coppola
Detective Michaelson
Lynn Frazen-Cohen
Elderly Woman
Mark Potter Jr.
Mr. Roussell
Nancy Herman
Receptionist
Director, Screenplay
James Dearden
Novel
Ira Levin
November 18, 2017
5
Kiss of life required to ignite this film noir re-imaging.
A remake of the 1956 film of the same name, A Kiss Before Dying is directed by James Dearden and Dearden adapts the screenplay from Ira Levin's novel. It stars Sean Young, Matt Dillon, Max von Sydow, Dianne Ladd and James Russo. Music is by Howard Shore and cinematography by Mike Southon.
Story has Dillon as a troubled young man who murders his pregnant girlfriend (Young) and then hones in on her twin sister (Young again obviously) for further psychotic shenanigans.
It's just about an average thriller at best, where even if the plot line and character motivations are intriguing enough to hold the attention to keep one interested to the ending, even there the outcome is rushed and unsatisfying. From the negative reaction at the initial test screenings, to Golden Raspberry awards, and tales of rewrites and re-shoots et al, this noir reboot is messy.
The tie-in to Hitchcock's Vertigo is glaringly "not" homage worthy, and not just content with that, director Dearden tries to use some of Hitchcock's macabre black humour to unintentionally "not" witty results. So with Young on hilariously bad form as well, the thriller aspects strain to get resuscitated for dramatic worth.
Dearden does show some nice touches with his camera-work, and there's a lurid quality to Southon's colour lenses that pay respect in heart to Levin's source material, but ultimately it's hard to recommend seriously to noir fans and the 56 version (itself not without problems) is still the way to go. 5/10
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$15,400,000.00