When it rains in the city, a serial killer known as "The Judge" looks for his next strangling victim. For months, the madman has been stalking at night, leaving behind clues, but police efforts have been fruitless. Constructing a life-size dummy of the murderer, police Lt. Harry Grant is growing obsessed with capturing him, and always following Grant is the relentless reporter Ann Gorman looking to break the story, but the hunt continues.
William Lundigan
Harry Grant
Dorothy Patrick
Ann Gorman
Jeff Corey
Police Sgt. Art Collins
Nestor Paiva
Benny
Charles D. Brown
Police Insp. Mulvaney
Paul Guilfoyle
Overbeck
Edwin Max
Charlie Roy aka The Judge
Frank Ferguson
J.C. McGill
Marlo Dwyer
Waitress
Archie Twitchell
Dixon (as Michael Branden)
Douglas Spencer
Phony Judge
Maurice Cass
Book store proprietor
Wanda Cantlon
Waitress
Howard M. Mitchell
Don, bartender
Cy Stevens
Kelly
Robert Emmett Keane
Coroner
Paul Bryar
Sgt. Bryce
Lee Phelps
Detective
Art Dupuis
Detective
Walden Boyle
Intern
Joe Whitehead
Ed
Martin Cichy
Policeman
Michael Mark
Mr. Mark, apartment manager
Virginia Farmer
Woman in bookstore
Nolan Leary
Larson
Director
Richard Fleischer
Story
Anthony Mann
Story
Francis Rosenwald
Writer
Lillie Hayward
May 15, 2015
8
Funny thing how he always strikes in the rain.
Follow Me Quietly is directed by Richard Fleischer (with uncredited help from Anthony Mann) and adapted to screenplay by Lillie Hayward from a story written by Mann and Francis Rosenwald. It stars William Lundigan, Dorothy Patrick, Jeff Corey, Nestor Paiva and Paul Guilfoyle. Music is by Leonid Raab and cinematography by Robert De Grasse.
A serial killer known as "The Judge" is stalking the city, his modus operandi is to strike when it rains and to kill by strangulation. The police have loads of little clues but nothing solid to go on. The strain is starting to weigh heavy on Lt. Harry Grant (Lundigan), but he comes up with a genius idea to help catch the killer - a mannequin!
Not widely known, but once released to MOD home format it got more noticed and has been keenly sought out by fans of the great Anthony Mann. It has proved a little divisive so this fawning review should be taken with a little context. Clocking in at just under an hour in length, Fleischer's film is by definition a compact RKO "B" picture, but the quality of story, and the little slices of noir craft, ensure it's got plenty of strengths going for it.
In essence it's an early police procedural dealing with the hunt for a serial killer. There's a babe in the mix, Dorothy Patrick as an intrepid reporter who announcers herself to the film wearing a see through mackintosh, which of course is splendid. She teams up with Grant, not as a fatale, but as a sort of wry cohort, suggestion is evident, sexual tension even, but nothing is shoe-horned in to the pic. The cops are all stoic types, splendidly attired for period delights, but it's with Lundigan's head of investigations where the film gets its pulse beat. He gets in deep with the psychological aspects of the case, thinking like the killer, talking to the faceless mannequin that has been constructed out of clues left by the killer, the mirror images of the killer and mannequin are not exactly a million miles away from Lundigan himself. Cheeky is that.
Mann's stamp is all over the film, but Fleischer's work is evident for sure, an economical purist meets the crafty auteur, a fine match. Robert De Grasse (The Body Snatcher/Born to Kill) is a key component, operating with angles and shades when required, there's a distinct uneasy feel to proceedings. A few scenes grab the attention with full effect, akin to a spider inviting a fly to dinner, which all builds to a head, culminating in a blunderbuss finale at an oil refinery - cum - power plant. Only where White Heat (also 1949) went nighttime for its coup de grace, Follow Me Quietly did it in daylight. Cheeky is that.
It's not perfect. Some logic holes are there as regards the water effect with the killer, which also leads us to lament a lack of reasoning and understanding with the perpetrator. There's also a couple of instances where the mannequin is played in a rear shot by a real actor, why? I have no idea. While the best scene in the film, as Lundigan chats to the dummy in a darkened room - and the rain falls hard on the windows - brings about a reveal that makes no sense what so ever. Especially once "The Judge" is revealed. However, this is easy to recommend to noir heads and fans of police procedurals, and I loved it. 8/10
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00