7.7
As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.
John Wayne
Ethan Edwards
Jeffrey Hunter
Martin Pawley
Vera Miles
Laurie Jorgensen
Ward Bond
Rev. Capt. Samuel Johnston Clayton
Natalie Wood
Debbie Edwards
John Qualen
Lars Jorgensen
Olive Carey
Mrs. Jorgensen
Henry Brandon
Chief Cicatriz (Scar)
Ken Curtis
Charlie McCorry
Harry Carey, Jr.
Brad Jorgensen
Antonio Moreno
Emilio Gabriel Fernandez y Figueroa
Hank Worden
Mose Harper
Beulah Archuletta
Look
Walter Coy
Aaron Edwards
Dorothy Jordan
Martha Edwards
Pippa Scott
Lucy Edwards
Patrick Wayne
Lt. Greenhill
Lana Wood
Younger Debbie Edwards
Mae Marsh
Dark Cloaked Woman at Fort Guarding Deranged Woman (uncredited)
Ruth Clifford
Deranged Woman at Fort (uncredited)
Chuck Roberson
Ranger at Wedding (uncredited)
Chuck Hayward
Man at Wedding (uncredited)
Peter Mamakos
Jerem Futterman (uncredited)
Frank McGrath
Texas Ranger (uncredited)
Jack Pennick
Sergeant at Fort (uncredited)
Terry Wilson
Texas Ranger (uncredited)
Director
John Ford
Novel
Alan Le May
Screenplay
Frank S. Nugent
June 4, 2014
10
What makes a man to wander?
Upon returning from a trip out to find cattle thieves, Ethan Edwards finds his brother and sister-in-law murdered by Comanches and their two daughters missing. Driven by a hatred of Indians, and a motive of some determination, Edwards and his part Indian companion set off to find the missing girls - it's a perilous journey that will span many years.
The Searchers is one of the greatest Westerns ever made, in fact it's one of the finest pictures all told ever made. Its reputation as such is most definitely warranted, directed and photographed with almost peerless precision, The Searchers stands tall as a triumph of cinematic achievement. Plot wise the piece is really very basic, based on a novel by Alan LeMay, its revenge/hatred driven pursuit theme is one that will forever be trundled out to gather easy Hollywood coin, but with director John Ford pulling the strings on this picture, this is cloaked with a beauty that belies the bleakness of the main protagonist's driving force. As a character driven picture it's something of a flag bearing lesson for all other directors to make note of, for the thematic heart of it lays with Ethan Edwards (superbly played by John Wayne), an embittered man that incredibly, in spite of his evident bile, manages to keep the viewer from hating him due to the complexities of his make up and the surrounding sprawl of the American West.
The film is bookended by brilliant shots from open doorways, with both sequences impacting to almost steal the breath away, yet these are merely the crusts of an incredibly delicious sandwich. Many scenes here could be framed as pictures to define the classic Western, with Ford making the Monument Valley location one of the best Western characters to have ever graced the screen. Rolling hills and dusty odd shaped rocks are given impetus by scorching reds and oranges that themselves are aided by the everlasting fold of a vividly potent blue sky, all of it dwarfing the characters as Ford adroitly weaves the Civilization versus Wilderness thread. This is a film that positively begs repeat viewings, where each subsequent viewing brings further insights into character dissections and a lyrical lesson in racial indifference, all played out with almost hauntingly poignancy by Max Steiner's memorable score.
Back in the day the film never won any awards, presumably because the racist core of the film had many twitching in their beds, or maybe because the film doesn't rely on dialogue to make its points? (the body language and facial acting here is quite brilliant). Perhaps some just wanted a basic Western of shoot outs and shallow characters that barely have time to show some heart? Either way, what we do now know is that The Searchers is revered across the globe and often hits the best of lists formed by those with a very keen interest in cinema. Maybe it's only one for those willing to invest and observe it on numerous occasions? I am of course but a mere mortal film fan for sure, but really I feel this film is as good an experience as a film fan could have, technically and thematically the piece has few peers, it's a true American masterpiece. 10/10
Status:
Released
Original Language:
English
Budget:
$3,750,000.00
Revenue:
$0.00