6.4
When a robbery at a racetrack goes wrong ex-con Johnny Bannion is caught and sent back to prison. He won't tell the rest of the gang where he has stashed the loot leading to violent consequences.
Stanley Baker
Johnny Bannion
Sam Wanamaker
Mike Carter
Grégoire Aslan
Frank Saffron
Margit Saad
Suzanne
Jill Bennett
Maggie
Rupert Davies
Edwards
Laurence Naismith
Mr. Town
John Van Eyssen
Formby
Noel Willman
Prison Governor
Derek Francis
Priest
Redmond Phillips
Prison Doctor
Kenneth J. Warren
Clobber
Patrick Magee
Barrows
Robert Adams
Judas
Kenneth Cope
Kelly
Murray Melvin
Antlers
Tom Bell
Flynn
Nigel Green
Ted
Neil McCarthy
O'Hara
Patrick Wymark
Sol
Jack Rodney
Scout
Brian Phelan
Pauly Larkin
John Molloy
Snipe
Paul Stassino
Alfredo Fanucci
Larry Taylor
Charles
Edward Judd
Young Warder
Tom Gerrard
Quantock
Keith Smith
Hanson
Charles Lamb
Mr Able
Dorothy Bromiley
Angela
Denis Shaw
Taxi Customer at Racetrack (uncredited)
Director
Joseph Losey
Screenplay
Alun Owen
February 27, 2023
7
Stanley Baker is effective here as the smart-assed hoodlum "Bannion". Recently released from prison he and some associates cleverly devise a plan to relieve a race track of it's £40,000 takings. He hides the loot in a remote field but his cockiness leads the police easily to his door. Re-incarcerated, he soon finds that it's not just the police, but his erstwhile colleagues - led by the no-nonsense "Carter" (Sam Wanamaker) who want the money! Things are distinctly dangerous for the man behind bars and so getting out quickly and retrieving his loot becomes the order of the day. Joseph Losey paces his direction well here and has assembled a strong cast of supporting characters - not least Patrick Magee as the shrewd and ruthless prison warder "Barrows" and Grégoire Aslan as the duplicitous "Saffron", as this story of greed and brutality gradually edges towards a denouement that is exciting and - to a considerable extent - rather fitting. It's maybe a bit wordy at times but Baker manages to exude a sort of nastiness/decency combination that works well for ninety minutes. It is well worth a watch and is better than many in this British noir genre of the late 1950s.
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00