Film Snail

Meet Joe Black
Meet Joe Black

7.3

Meet Joe Black

PG-13·1998·178m

Summary

William Parrish, media tycoon and loving father, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in human form as Joe Black. His intention was to take William with him, but accidentally, Joe and William's beautiful daughter Susan have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.

Crew

Director

Martin Brest

Original Film Writer

Maxwell Anderson

Original Film Writer

Gladys Lehman

Screenplay

Ron Osborn

Screenplay

Jeff Reno

Screenplay

Kevin Wade

Screenplay

Bo Goldman

Theatre Play

Walter Ferris

Theatre Play

Alberto Casella

Reviews

Wuchak

Wuchak

December 20, 2019

9

***Captivating commentary on love, life and death***

The Grim Reaper (i.e. the Angel of Death) comes to take billionaire industrialist Bill Parrish (Anthony Hopkins) but instead decides to take a holiday in the corporeal universe by possessing the body of a young man (Brad Pitt). Death's deal with Parrish is that, as long as he's entertained, he'll delay Bill's death. Mr. Death materializes as a mysterious stranger with child-like qualities known as 'Joe Black.' His "holiday" is complicated when he falls for Parrish's daughter (Claire Forlani).

"Meet Joe Black" (1998) is a re-imagining of the 1934 film "Death Takes a Holiday" (which I've never seen). It has the confidence to take its time at almost 3 hours, but is so captivating that it feels shorter than most 90-minute mindless flicks. The plot is reminiscent of other good "fish out of water" stories like Spock in Star Trek, “Starman” (1984), etc.

Yes, it's outlandish but the film expertly presents the bizarre situation in a totally believable manner. In other words, this is indeed a serious drama, which nicely balances out the heavy moments with lighter touches. I would compare it to "The Green Mile" (1999), another long drama with supernatural touches and wholly captivating.

Despite its fantastical premise, "Meet Joe Black" consistently offers profound insights to the most vital topics of the human experience — love, life, death and numerous others, e.g. betrayal, rivalry, hostility, comeuppance and the mysterious beyond. One good example is when Parrish's son-in-law (Jeffrey Tambor) offers a definition of love to Joe Black: To know the worst thing about someone and it's okay, presuming they’re penitent. This is just one example; the film is filled with such insights.

"Meet Joe Black" cost $90 million to make and only made half of it back at the USA box office. Fortunately it has gone on to garner an enthusiastic following and rightly so 'cause this is a near-masterpiece of filmmaking and genuinely moving. I consider myself a masculine man, but tears flowed through approximately 1/3 of the runtime. This is a sign of a potent and affecting picture.

It's a travesty that dreck like "Pirates of the Caribbean" makes gazillions of dollars and garbage like "American Beauty" are hailed as masterpieces while true gems like "Joe Black" are often overlooked. The good thing is that time was on Joe Black's side. The word got out.

The film runs 2 hours, 58 minutes, and was shot in Warwick, Rhode Island (Aldrich Mansion); Manhattan; and Teaneck, New Jersey.

GRADE: A/A-

Media

Status:

Released

Original Language:

English

Budget:

$90,000,000.00

Revenue:

$142,940,100.00

Keywords

life and death
broken engagement
love at first sight
fireworks
religion and supernatural
based on play or musical
fate
teenage crush
grim reaper
doctor
millionaire
death personified
death incarnate
angel of death
encontro marcado
romantic
appreciative
compassionate