It may be difficult to countenance now but there was a time when George Arliss was close to being the biggest film star in the world. This slightly stooped, perhaps not conventionally handsome, mature gentleman had spent years on the stage to tremendous acclaim and achieved the same in the early sound era of film. His great skill was a tremendous personal charisma that defied his actual appearance. When he is on screen there is little else that the viewer remembers – his precise diction and sheer presence dominate.

The Devil (1921) was Arliss’ first film and though denied his superb voice, that presence so evident in his sound films of a decade later is ever present. As Dr. Mueller he puts a loving couple to a test of fidelity, slowly drawing them through deception and innuendo into compromising circumstances. It is this sly approach that gives Arliss the opportunity to show, through expression and mouthed dialogue his skills as a seducer.

I had assumed the title of the film was a metaphorical one, highlighting the devilish nature of the Arliss character, but in a final reckoning he is revealed to indeed be more than a lecherous fiend but at the very least a servant of the Dark One. The heroine is protected from his advance by a glowing cross and he is eventually seen to be defeated by the powers of light. The very essence of deux ex machina in a story that at least follows a logical path.