When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novice, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby.
Jane Fonda
Dr. Martha Louise Livingston
Meg Tilly
Sister Agnes
Anne Bancroft
Mother Miriam Ruth
Anne Pitoniak
Dr. Livingston's Mother
Winston Rekert
Det. Larry Langevin
Gratien Gélinas
Father Martineau
Guy Hoffmann
Justice Joseph Leveau
Gabriel Arcand
Monsignor
Françoise Faucher
Eve LeClaire
Jacques Tourangeau
Eugene Lyon
Janine Fluet
Sister Marguerite
Deborah Grover
Sister Anne
Michele George
Sister Susanna
Samantha Langevin
Sister Jeannine
Jacqueline Blais
Sister David Marie
Françoise Berd
Sister Thérèse
Mimi D'Estée
Sister Elizabette
Rita Tuckett
Sister Geraldine (as Rita Tucket)
Lillian Graham
Sister Madeline Marie
Norma Dell'Agnese
Sister Geneviève
Muguette Moreau
Sister Luke
Janice Bryan
Sister Mary Joseph
Agnes Middleton
Sister Paul
France Arbour
Housekeeper
Laurel Lyle
Helen the Receptionist
Victor Désy
Librarian (as Victor Desy)
Charlotte Laurier
Young Prostitute
Peter Langley
Sister Geneviève's Family
Nicole Marie Abbat
Sister Geneviève's Family
Matthew Armstrong
Sister Geneviève's Family
Chava Mandlsohn
Sister Geneviève's Family
Charles S. Pottie
Sister Geneviève's Family (as Charles S. Pottie S.J.)
Gerry Huckstep
Paramedic
Marc Denis
Newscaster
Herbert Luft
Television Reporter
André Lacoste
Male Patient
Jennifer Jewison
Female Patient
Carole Chatel
Lab Technician
Daniel Tremblay
Police Detective
Director
Norman Jewison
Screenplay, Theatre Play
John Pielmeier
November 24, 2020
5
_**Melodramatic havoc at a rural Canadian Convent with Jane Fonda, Anne Bancroft and Meg Tilly**_
After a bloody scandal at a Convent outside Montreal, a court-appointed psychiatrist (Jane Fonda) investigates to determine if a devout, but hysterical young woman (Meg Tilly) is fit to stand trial, but she’ll have to get past the intractable Mother Superior (Anne Bancroft) to find the truth.
"Agnes of God" (1985) is a psychological drama revolving around a Convent with a few scenes of Montreal thrown in.
What we have here is a mystery: Was the innocent & naïve Agnes (1) impregnated by God, (2) by some dude in the barn or wherever, or (3) a kind of spontaneous cloning or twinning. Concerning that last possibility: There are supposedly nine documented virgin births on record and the offspring were all girls who looked like their mothers. The idea that Agnes calls the baby "she” augments this possibility, plus the fact that she seemingly has enough faith to put holes in her hand, aka stigmata, why couldn't she split a cell in her womb?
I’m not going to say what conclusion the ambiguous film points to, if any.
“Stigmata” (1999) covers some of the same ground but is from the thriller/horror genre whereas “Agnes of God” is more mundane. “Stigmata” is all-around more compelling while “Agnes” is rather one-dimensional with women constantly confronting each other with a lot of screaming and crying. Yes, there are heavy reasons for these emotional dialogues, and those reasons are interesting to explore, but the story just wasn’t gripping for me. Too bad, because Fonda, Bancroft and Tilly bend over backwards to pull it off.
While the movie didn’t really work for me, it’s a passionate and noble effort centering around faith, logic and ultimate reality (truth). And I have no doubt it has a cult following. Give it a try if the themes trip your trigger, but you’ll probably be disappointed.
The movie runs 1 hour, 38 minutes, and was shot in Rockwood & Toronto, Ontario, with establishing shots of Montreal.
GRADE: C
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00