A London barrister's marriage is under strain after his affair with a shopgirl who is out to have him. The story is told in flashback.
Ronald Colman
James Warlock
Kay Francis
Clemency Warlock
Phyllis Barry
Doris Emily Lea
Henry Stephenson
John Tring
Viva Tattersall
Milly Miles
Florine McKinney
Garla
Clarissa Selwynne
Onslow
Paul Porcasi
Joseph the Maitre D'
George Kirby
Mr. Boots
Donald Stuart
Henry
Wilson Benge
Jim's Valet Merton
Halliwell Hobbes
Coroner at Inquest (uncredited)
Erville Alderson
Jason
Blanche Friderici
Concerned Mother in Courtroom (uncredited)
Charlie Hall
Courtroom Spectator (uncredited)
Colin Kenny
Officer at Inquest
Rafael Alcayde
Mario
Director
King Vidor
Adaptation, Screenplay
Frances Marion
Adaptation, Screenplay
Lynn Starling
Novel
R. Gore Brown
Theatre Play
H.M. Harwood
June 13, 2022
6
I think what makes this rather unremarkable early talkie stand out is the role of the usually benevolent Henry Stephenson as "John Tring". This time his mellifluous, fireside tones have a distinctly disreputable quality and his character is positively sleazy! Ronald Colman ("Jim Warlock") is an happily married barrister who has a fling with Phyllis Barry ("Doris"). She pursues him and soon he has fallen in love, just as his wife (Kay Francis) returns from Italy where she had been trying to save her sister from a bad relationship. Told by way of a retrospective, King Vidor elicits a good effort from Colman, and the narrative that deals with adultery, tragedy and ambition is delivered in a gentle, but effective fashion - for 1932, anyway. Kay Francis features sparingly, but still manages to own the screen when she appears, and though his behaviour is despicable - it is quite difficult to loathe "Warlock" entirely. Sadly, however, it plods - the pace is rambling and the focus too blurred; the subject matter could have delivered more punch. As it is, it's watchable, but perhaps all just a bit too nice.
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00