5.8
Katherine Morrissey, a former Christian missionary, lost her faith after the tragic deaths of her family. Now she applies her expertise to debunking religious phenomena. When a series of biblical plagues overrun a small town, Katherine arrives to prove that a supernatural force is not behind the occurrences, but soon finds that science cannot explain what is happening. Instead, she must regain her faith to combat the evil that waits in a Louisiana swamp.
Hilary Swank
Katherine
David Morrissey
Doug
Idris Elba
Ben
AnnaSophia Robb
Loren McConnell
Stephen Rea
Father Costigan
William Ragsdale
Sheriff Cade
John McConnell
Mayor Brooks
David Jensen
Jim Wakeman
Yvonne Landry
Brynn Wakeman
Samuel Garland
William Wakeman
Myles Cleveland
Kyle Wakeman
Andrea Frankle
Maddie McConnell
Mark Lynch
Brody McConnell
Stuart Greer
Gordon
Lara Grice
Isabelle
Cody Sanders
Hank
Burgess Jenkins
David Winter
Sabrina A. Junius
Sarah Winter
Jillian Batherson
Janet
Karen Yum
Nun
Afemo Omilami
Haman
Axel C. Cartagena
Chilean Boy
Javier Ortiz Cortés
Monastery Cop
Iris Martinez
Old Chilean Woman
Axel Anderson
Blind Man
Robert Alonzo
Hazmat Worker
Eddie J. Fernandez
Hazmat Worker
Abraham Henderson
Man Speaking in Tongues
Felipe Febres Rivera
Man Speaking in Tongues
Gregorio Allende
Man Speaking in Tongues
Sixta Rivera Romero
Woman Speaking in Tongues
Rafael Fuentes Negrón
Padre Bonilla
Michelle L. Clarke
Townsperson (uncredited)
Sierra Lyn Duncil
Townsperson (uncredited)
Lisa Marie Dupree
Teacher (uncredited)
Carol Dupuy
Townsperson (uncredited)
Louis Dupuy
Townsperson (uncredited)
Stephanie Honoré
Secretary (uncredited)
Cody Juneau
Prof. Katherine's Class Student (uncredited)
Kevin Lorio
LSU Lecture Student (uncredited)
Ross Rouillier
College Student (uncredited)
Brian Tester
Tourist in Chile (uncredited)
Kimberly Whitfield
LSU Lecture Student (uncredited)
Ashley Wilkes
Townsperson (uncredited)
Director
Stephen Hopkins
Screenplay
Carey Hayes
Screenplay
Chad Hayes
Story
Brian Rousso
January 17, 2020
4
The Reaping harvests souls of the religiously devoted by subjecting them to this. “What hath God wrought?”. If ever there was a tagline that would instantly persuade audiences to leap up from their sofas, drive to the nearest cinema complex and purchase a couple of tickets, it’s this one. Sure, using a phrase from the Book of Numbers (as opposed to Exodus which is the primary plot device of the film...) certainly sets the religiously inclined tone, that eventually dissolves into the plagued river of blood but more on that later. It also indicates the unimaginative stupidity that ensues, leaving logic and science behind for a faith-based apocalyptic tale that is in need of some serious stoning. A professor in debunking miracles is invited to investigate a “river of blood” in the nearby town of Haven, but is quickly ensnared in an apocalyptic mystery.
Whilst not the worst horror film in the existence of cinema, with a tepid schlocky tone that somewhat juxtaposes the devoted Christian ideologies presented, yet is so inexplicably dumb that it will leave you questioning why such a film was created in the first place. Its initial introduction commenced with much promise. Science against religion. Simple logical explanations explaining what many describe as religious miracles. Yes, it’s relatively on the nose and misses the point of acquiring faith, yet remained an interesting direction for the first half that managed to conjure up various problematic conversations.
Hot off her Oscar win, swanky Swank muddles through this unusual mystery with much trepidation, choosing not to believe that the plagues of Egypt condemning Haven are in fact coincidental, offering scientific explanations. Algae bloom for the “blood river” that has the consistency of red-dyed water (sorry not sorry...). Infections terminating frogs, that is never explained how they fell from the sky, but whatever. Flies consuming the flesh of the frogs, and you get the idea. She remains unconvinced throughout these biblical mishaps, and provides an interesting angle.
Well, that is until about halfway through when she switches from being Bill Nye the Science Guy to Pope Francis of the Vatican. Suddenly she has faith, despite her tragic backstory clumsily spliced with the main plot, and holy reaping balls do events get crazy. CGI locust infestation, satanic cult crazes and a thunderstorm of fire that incinerates life in a matter of seconds. It went from a minor science experiment to absolute chaos, quicker than a snap of your fingers. The change of pace is so jarring and bewildering, that when the predictably obtuse third act arrives you’re stunned into silence. The tantalising debunking approach now plagued by, well, the plagues. The mystery is ham-fisted and makes no sense whatsoever. Constant flashbacks providing clues, more like clear answers mind you, were choppy and fragmented. It’s not scary in the slightest. Main characters are expended and forgotten about almost instantly, a shame considering Elba was decent as always. And what’s Rea’s purpose in this? No seriously. Except for providing basic exposition, he seemed pointless in this endeavour.
A very minuscule part of my soul wants to like this for being the barking mad mystery that it is. To an extent, it is watchable if you know to turn your brain off and devour all the spiel on religious provocations, despite the interesting first act. It has this surreal allure, making each watch tolerable. But then I think back to the last thirty minutes and I then really want to experience all ten plagues for myself. Incomprehensibly ludicrous. What hath God wrought you ask? This.