Teenage musicians travel to England's Spike Island in the hope of attending an outdoor performance by their favorite band, the Stone Roses.
Elliott Tittensor
Tits
Emilia Clarke
Sally
Nico Mirallegro
Dodge
Adam Long
Little Gaz
Jordan Murphy
Zippy
Oliver Heald
Penfold
Robert James-Collier
Mr Milligan
Matthew McNulty
Ibiza Ste
Steve Evets
Eric
Lesley Manville
Margaret
Chris Coghill
Uncle Hairy
Antonia Thomas
Lisa
Jodie Whittaker
Suzanne
Michael Socha
Carl
Nick Blood
Dave Famous
Philip Jackson
Mr. Jackson
Andrew Knott
Voodoo Ray
Danny Cunningham
Keith Teeth
Paul Popplewell
Roses' Manager
Orla Poole
Rachel
Billie May Coghill
Melissa
Sophia Murphy
Amy
James Mair
Frank
Jack Harper
Jay
Jordan Hill
Kev
Sean Cernow
Jimmy Two Tone
Tigga Goulding
Tracey
Craig Cheetham
Graham
Jake Abraham
Security Dave
Steve Marsh
Security Sid
Bill Rodgers
Official Coach Driver
Beatrice Kelley
Catheter Lady
TJ Jones
Caravan Kid
Jimmy Gallagher
Scouser with Dinghy
Abigail Hill
Girl at Gate
Ciara Baxendale
Late Girl
Jodie Hamblet
Shelly
Daniel Seymour
Speccy Kid
Andrew Lythall
Priest
Jim Sturgess
Burger Vendor
Mickey O'Brien
Burger Vendor
Kieran O'Brien
Poster Vendor
Kaya Scodelario
T-shirt Vendor
Charlie Clemmow
T-shirt Vendor
Rowetta
Herself
Terry Christian
Interviewer (voice only)
Director
Mat Whitecross
Screenplay
Chris Coghill
March 2, 2015
7
Does Mat Whitecross' film Bang the Drum?
It's May 1990, Great Britain, and The Stone Roses are about to play a monumental outdoor gig at Spike Island in Widnes, Cheshire. A bunch of teenage acolytes of the band, aspiring musicians themselves, embark on a journey to Spike Island whist at the same time embarking on personal journeys of the real life kind.
Us Brits do like ourselves a coming of age drama set to the backdrop of musical importance. Mat Whitecross (Sex & Drugs & Rock & Roll) taps into the era of Baggy Manchester, of a Northern Britain dominated by pills, thrills and romantic bellyaches. To many of a certain age The Stone Roses were "their" Beatles, a power pop foursome that rocked it big time, their influence on the British music industry is still being felt today. This in spite of their relatively short life span. Re: The Sex Pistols at Winterland, see The Stone Roses at Spike Island (in other words it was a pretty awful gig all told).
However, the band are secondary to the teen angst narrative threads, to the scallywag japes and sexual growing pains. As Messrs Ian Brown and John Squire weave their chordal magic in the background, a bunch of spotty Herbert's with mad mac haircuts and iffy accents try and make sense of it all, of life, death, loves and hates. Music binds them together, but does anything else?
It's all very formulaic stuff, but for those of the time, or for those with a love for how music can define your life, or at the least shape its direction, then this hits the requisite chords. It's funny at times and the cast are ebullient enough to carry the clichéd and thin material home, but come the finale you will be remembering the soundtrack more than the story itself. 6.5/10
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$157,036.00