7.2
British estate agent Renfield travels to Transylvania to meet the mysterious Count Dracula, who is interested in leasing a castle in London. After Dracula enslaves Renfield and drives him to insanity, the pair sail to London together and Dracula, a secret vampire, begins preying on London socialites.
Bela Lugosi
Count Dracula
Helen Chandler
Mina Seward
David Manners
John Harker
Dwight Frye
Renfield
Edward Van Sloan
Professor Abraham Van Helsing
Herbert Bunston
Dr. Jack Seward
Frances Dade
Lucy Weston
Joan Standing
Nurse Briggs
Charles K. Gerrard
Martin
Anna Bakacs
Innkeeper's Daughter (uncredited)
Bunny Beatty
Flower Girl (uncredited)
Nicholas Bela
Coach Passenger (uncredited)
Daisy Belmore
Coach Passenger (uncredited)
William A. Boardway
Concertgoer Outside Theatre (uncredited)
Barbara Bozoky
Innkeeper's Wife (uncredited)
Tod Browning
Harbormaster (voice) (uncredited)
Moon Carroll
Maid (uncredited)
Geraldine Dvorak
Dracula's Bride (uncredited)
John George
Small Scientist (uncredited)
Anita Harder
Bit (uncredited)
Carla Laemmle
Coach Passenger (uncredited)
Wyndham Standing
Surgeon (uncredited)
Cornelia Thaw
Dracula's Bride (uncredited)
Dorothy Tree
Dracula's Bride (uncredited)
Josephine Velez
Grace, English Nurse (uncredited)
Michael Visaroff
Innkeeper (uncredited)
Florence Wix
Concertgoer Outside Theater (uncredited)
Director, Writer
Tod Browning
Dialogue
Dudley Murphy
Novel
Bram Stoker
Other
Max Cohen
Screenplay
Garrett Fort
Theatre Play
Hamilton Deane
Theatre Play
John L. Balderston
Writer
Louis Bromfield
Writer
Frederick Stephani
Writer
Louis Stevens
September 28, 2016
9
Though not my very favourite movie about the infamous vampire, this is quite beautiful, well-told and gorgeously photographed (I really can't wait to see the blu!) and is most probably Bela Lugosi's finest hour (though I love his work; and it's also right up there with the greatest-ever vampiric depictions on celluloid), and it has genuine scares. Lugosi not only growls and snarls but also delivers the succulent seductive power of both evil itself and immortality--no matter what devastating consequences that immortal life may truly mean.
Essential for both horror fanatics and fans of early (up to and including the 30's) cinema to own on the highest-possible quality, and regular re-watches. It's simply THAT GOOD.
The fact that its American release date was Valentine's Day (its New York City premiere was two days earlier) only further hits home the fact that its immortality is due to the fact that it isn't simply a cornerstone of Gothic horror but with a vibrant love story at its very heart.
Status:
Released
Original Language:
English
Budget:
$355,000.00
Revenue:
$700,000.00