Film Snail

Blow Out
Blow Out

7.4

Blow Out

R·1981·108m

Summary

While recording sound effects for a slasher flick, Jack Terry stumbles upon a real-life horror: a car careening off a bridge and into a river. Jack jumps into the water and fishes out Sally from the car, but the other passenger is already dead — a governor intending to run for president. As Jack does some investigating of his tapes, and starts a perilous romance with Sally, he enters a tangled web of conspiracy that might leave him dead.

Crew

Director, Writer

Brian De Palma

Writer

Bill Mesce Jr.

Reviews

John Chard

John Chard

January 4, 2015

9

Superior entry on De Palma's CV.

Brian De Palma has always gotten a bad rap for his penchant for essaying his heroes and favourite thrillers, what often gets forgotten is just how great he could be in crafting said thrillers.

Blow Out has John Travolta as a sound engineer for low budget horror movies, who while out recording sounds one night witnesses a car crash and dives into the river to rescue the call girl trapped in the back seat (Nancy Allen). Upon listening back to the footage of the crash, he hears two noises which point to a gun shot being fired at the car. So with the dead man in the car turning out to be a big political mover, he quickly finds himself spun into a web of intrigue, peril, paranoia and conspiracies. Can he and the girl stay alive long enough to solve the case?

Blow Out finds De Palma at the top of his game, blending the twisty plot dynamics with virtuoso technical smarts. A number of scenes are striking, both visually and in execution and the garnering of acting performances. Pino Donaggio provides an unforgettable music score to marry up to the layers of sub-plots folding together, and cinematographer Vilmos Zsigmond sharpens the primary colours (pic is awash with lurid pinks and purples - true neo-noir style) to give the story a Giallo like sheen that runs concurrent with the emotional states of the major players.

A sprawling and bustling Philadelphia plays host to a conspiracy sandwich, with a corking side order of the film making process. Sometimes bleak and complex (how great it is to find a true noir finale), but never over stuffed, Blow Out is both thrilling and smart, while Travolta has never been better and John Lithgow is tailor made as the unstoppable crack-pot unleashed into our two protagonists' world. 9/10

Media

Status:

Released

Original Language:

English

Budget:

$18,000,000.00

Revenue:

$12,000,000.00

Keywords

philadelphia, pennsylvania
hitman
presidential election
politics
audio tape
paranoia
faithlessness
yell
conspiracy
tape recorder
whodunit
car accident
audio recording
sound effect
neo-noir
noise
grand