5.9
Nina, a former NATO special operations agent living in hiding, has to use all her deadly skills to rescue her son who has been kidnapped by ruthless gangsters. Finding Max is a double opportunity for her. A chance to feel the adrenaline rush again, and an opportunity to get back into the life of the son she had to abandon years ago.
Agnieszka Grochowska
Nina
Adrian Delikta
Max
Dariusz Chojnacki
Igor
Paulina Chruściel
Max's Foster Mother
Paweł Koślik
Max's Foster Father
Arkadiusz Brykalski
Agency Head
Sebastian Dela
'Teleskop'
Szymon Wróblewski
'Woltomierz'
Konrad Eleryk
Tytus
Jowita Budnik
Diplomat
Paweł Janyst
Diplomat's Son
Dorota Kolak
Nina's Mother
Jolanta Banak
Liquor store cashier
Jan Napieralski
Lad
Jan Litvinovitch
Lad
Michał Michalski
Lad
Konrad Ostrowski
Lad
Michał Felczak
Lad
Karol Czajkowski
Lad
Igor Kowalunas
Lad
Lucyna Frączek
Local girl
Sandra Naum
Local girl
Kamil Szeptycki
Brick agent
Patryk Michalak
Brick agent
Ewa Rodart
Brick agent
Radosław Rożniecki
Policeman
Weronika Warchoł
Policewoman
Shivamkumar Dhangan
Courier
Ryszard Kakietek
Juvenile delinquent
Jakub A. Kozieł
Juvenile delinquent
Rafał Garnecki
Juvenile delinquent
Kazimierz Nowak
Juvenile delinquent
Maciej Kosiacki
Juvenile delinquent
Michał Burdan
Juvenile delinquent
Michał Szulejewski
Cook
Łukasz Czubak
Cook
Ali Bahrudinov
Gang member
Masza Wągrocka
Gang member
Jarosław Stachera
Gang member
Laura Pajor
Gang member
Joanna Czerniak
Gang member
Paweł Jusiński
Gang member
Piotr Popko
Gang member
Filip Bucki
Gang member
Damian Majewski
Gang member
Michał Pluskota
Gang member
Artur Grabowiec
Smuggler
Jarosław Golec
Smuggler
Leo Wilson
Taxi driver
Adriana Drozd
Zosia
Anna Płociniczak
Igor's ex-wife
Mateusz Bernardyn
Partner of Igor's ex-wife
Jakub Wieczorek
Father of 'Woltomierz'
Stanisław Barański
Brick agent
Bartosz Sulikowski
Office agent
Anna Jujka
Dancer
Michalina Lamprecht
Dancer
Zuzanna Lamprecht
Dancer
Angelika Zysk
Dancer
Ewelina Kruk
Dancer
Patryk Rybarski
Dancer
Marek Konopka
Dancer
Director, Writer
Mateusz Rakowicz
Writer
Łukasz M. Maciejewski
June 2, 2023
6
Mothers Day actually has something to offer the viewer but as is so often the case these days, "the message" gets in the way.
Lets start with the positives. Creative use of action. Action is comprised mostly of well choreographed, if not overly convincing, fight scenes. Innovation is the key here, using a range of things as weapons, right down to tins of beer (a terrible waste if you ask me).
The story's not original but not too bad either. The characterisations, especially the lead, have a little depth and humanity, rather than being of the cardboard, cut out, "hero" variety.
Pacing's good too, you never really get the chance to be bored by this film.
Regrettably, a lot of this good stuff is interrupted by the usual woke pandering, that's become so common in cinema and series, these days. Its the usual tiresome stuff. I'm not sure how many times I've said I come to entertainment to be entertained, not lectured.
There's also an unwelcome dash of what, in this reviewers opinion, might potentially be interpreted, as anti Russian sentiment?
In summary, a lot to like but equally a lot that's not only unappealing but could have been easily been left out of this film, to its benefit.